Divida bookcover

Divida

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Description

Published posthumously, this powerful second collection is a raw
dialogue about being black in today's society, exploring injustices
survived by using a dream-like consciousness to take on multiple
personas: DiVida, who wants to assimilate into the larger culture, and
Sapphire, who refuses to follow at the expense of her
self-actualization.

Product Details

PublisherAlice James Books
Publish DateApril 17, 2018
Pages100
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9781938584749
Dimensions7.9 X 5.9 X 0.4 inches | 0.3 pounds
BISAC Categories: Poetry, Poetry, Poetry

About the Author

Monica Hand is the author of DiVida (forthcoming in 2018 from Alice James Books) and me and Nina (Alice James Books, 2012), winner of the 2010 Kinereth Gensler Award. After a thirty-two-year career with the U.S. Postal Service, she received an MA in poetry and translation from Drew University in 2011. In 2012 she moved to Columbia, Missouri, to pursue a PhD at the University of Missouri. Hand received a fellowship from Cave Canem and served as a founding member of the poetry collective Poets for Ayiti. She passed away on December 15, 2016, in Columbia, Missouri.

Reviews

"DiVida stands as a timeless presence burdened by the injustices of systemic racism. Her power is rooted in black women's ability, born of necessity, to inhabit their bodies in multiple ways."
--
Publishers Weekly


"DiVida: divided? DiVida: of life? The imaginary character who carries the name and sings her life is both DiVida and Sapphire, who sometimes replies to her musings, as one voice speaking for a universe of black women. Like syncopated masks, the voices of Hand's book offer a new sense of double-consciousness. Her untimely death at the zenith of her career lends the last few poems, which anticipate death, a special fullness and poignancy."
--Marilyn Nelson


"Monica Hand was brave. She headed into language with an arsenal of knowledge, curiosity, rage, desire and came out with the spoils. DiVida is a collection showcasing her deep knowledge of American culture and contemporary poetics with her authoritative use of the Black vernacular, as she crosses boundaries of race, gender, class in search of a liberated self. That she riffs John Berryman's Dream Songs is but one of her many transgressions. Orgasmic, self-lacerating, wicked-ass funny (oh Sapphire), these poems add to the powerful, blues driven truths of me and Nina. With this posthumous collection, Alice James has done her legacy well."
--Patricia Spears Jones


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