Descent bookcover

Descent

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Description

Poetry. African & African American Studies. Women's Studies. LGBTQIA Studies. In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet's great-grandmother. Through several years of research, Russell would seek the words to fill the diary's omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traverses centuries as the past bleeds into the present.

In DESCENT, the very talented poet Lauren Russell shows us how to write what we do not know; to give with grace and dignity, humanity to names on the family tree. DESCENT is a search for truths felt in one's bones.--Brenda Coultas

An audacious, acid, lyrical re-membering that asks, what do we demand of the past, and what to do with its refusal? Russell's deep archive would not answer her back. With DESCENT, however, she speaks to us. Sit all the way down and listen up.--Douglas Kearney

Lauren Russell's stellar new book-length poem...portrays a rich, Black American ancestral record. Sifting nimbly through all manner of documentation and employing form in revelatory ways, Russell's poems are as much ascent into a present shaped by the past as descent from America's true heroic figures.--John Keene

Product Details

PublisherTarpaulin Sky Press
Publish DateJune 02, 2020
Pages120
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9781939460219
Dimensions9.0 X 6.0 X 0.4 inches | 0.6 pounds

About the Author

Lauren Russell is the author of DESCENT (Tarpaulin Sky Press, 2020) and WHAT'S HANGING ON THE HUSH (Ahsahta Press, 2017), and DREAM-CLUNG, GONE (Brooklyn Arts Press, 2012). A 2017 National Endowment for the Arts Creative Writing Fellow in Poetry, she has also received fellowships from Cave Canem, The Wisconsin Institute for Creative Writing, and VIDA/The Home School, and residencies from the Rose O'Neill Literary House at Washington College, the Millay Colony for the Arts, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazine, the Academy of American Poets' Poem-a-Day, boundary 2, The Brooklyn Rail, Cream City Review, and the anthologies Bettering American Poetry 2015 and Furious Flower: Seeding the Future of African American Poetry, among others. She is a research assistant professor in English and is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.

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