Death on Demand

"It's the stuff the best gangster films are made of, and as a suspense/crime novel 'Death on Demand' is perfectly composed, with the action kept in the realm of reality and a steady, tense wire of human pathos running down its spine. Just as Ihaka fails to be surprised by the mendacity he encounters, living in a world in which cops and crims engage gladly in mutual back-scratching, so Thomas shows us that in the end, anyone is capable of just about anything. As Ihaka reflects: "Everyone gets called to account . . . One way or another, everybody pays." The Coast

"Paul Thomas, a bestselling New Zealand crime writer, deserves to be better known here. A lively plot, a good variety of characters, and Thomas doesn't burden us with excessive stuff about the detective's ethnic or tribal background." Times
"Local hero, local setting, world-class crime writing: Ihaka's return is a rollicking read" The Listener
"A splendidly written, constantly engaging, deliberately puzzling, always gripping story. Ihaka is wonderful, his fellow-cops and the crims (not always the same people) well delineated, and the women both femme and fatale." Crime Time
"Tito Ihaka, the maverick Maori cop, dances through a minefield of police politics, old grudges, blackmail, and gangs as he hunts a faceless killer in Auckland. Filled with helter-skelter storylines, witty dialogue, and captivating characters." Herald on Sunday
"Foul-mouthed, ungovernable and not above meeting racist abuse with physical assault Maori detective Tito Ihaka of the Auckland police is a splendid creation. As a reader, you can't help wincing at the scrapes he gets himself into but you can't take your eyes off him either. Those familiar with the dry Kiwi wit will know what to expect from Thomas's dialogue. It may be occasionally shocking but it's never disappointing. It's early in the year but this is already on my list of 2013's best." Morning Star
"Death on Demand sees the welc

'A husband's offhand remark about hiring a hit man loses its humor when someone offers to take care of the task. The Auckland, New Zealand, case was never solved, and only Maori DS Tito Ihaka suspected the moneyed husband. Ihaka's rough edges and zeal effectively doomed him, and six years ago, he was reassigned to the Wellington area. Now, new revelations indicate that Ihaka's instincts were right; he is brought back to reopen the cold case. Before long, things turn hot as a complicated case involving grifters and shifting identities means more victims will fall. VERDICT New Zealand's irascible cop Tito Ihaka has been MIA since Thomas's last series entry in 1996 (Guerilla Season), and his return pleases on so many levels. Thomas is a past winner of the Ned Kelly Award, and this one looks to be a future nominee as well.' Library Journal

'Ned Kelly Award-winner Thomas takes his time letting readers in on what he's got up his sleeve in his fourth police procedural starring Maori Det. Sgt. Tito Ihaka (after 1996's Guerilla Season), but the deferred gratification is well worth it. A prologue opens 14 years in the past in Greytown, New Zealand. Eight years later, four male friends, a property developer, a lawyer, a dentist, and a businessman, are enjoying a regular weekend away together on Waiheke Island. A discussion of marital discontent ends with a joke about using the phone directory to call a hit man. Three months later, Joyce, presumably the wife of one of the four pals, is fatally struck by a car while jogging in an Auckland suburb. More people die, one way or another, as the action moves to the present. Ihaka, who must deal with prejudice from within the force, investigates. A twisty plot and an unusual lead combine to make this a winner, and even newcomers will hope that the wait for the next installment will be less than 17 years.' Publishers Weekly (Starred Review)

"It's the stuff the best gangster films are made of, and as a suspense/

A husband s offhand remark about hiring a hit man loses its humor when someone offers to take care of the task. The Auckland, New Zealand, case was never solved, and only Maori DS Tito Ihaka suspected the moneyed husband. Ihaka s rough edges and zeal effectively doomed him, and six years ago, he was reassigned to the Wellington area. Now, new revelations indicate that Ihaka s instincts were right; he is brought back to reopen the cold case. Before long, things turn hot as a complicated case involving grifters and shifting identities means more victims will fall. VERDICT New Zealand s irascible cop Tito Ihaka has been MIA since Thomas s last series entry in 1996 (Guerilla Season), and his return pleases on so many levels. Thomas is a past winner of the Ned Kelly Award, and this one looks to be a future nominee as well. Library Journal

Ned Kelly Awardwinner Thomas takes his time letting readers in on what he s got up his sleeve in his fourth police procedural starring Maori Det. Sgt. Tito Ihaka (after 1996 s Guerilla Season), but the deferred gratification is well worth it. A prologue opens 14 years in the past in Greytown, New Zealand. Eight years later, four male friends, a property developer, a lawyer, a dentist, and a businessman, are enjoying a regular weekend away together on Waiheke Island. A discussion of marital discontent ends with a joke about using the phone directory to call a hit man. Three months later, Joyce, presumably the wife of one of the four pals, is fatally struck by a car while jogging in an Auckland suburb. More people die, one way or another, as the action moves to the present. Ihaka, who must deal with prejudice from within the force, investigates. A twisty plot and an unusual lead combine to make this a winner, and even newcomers will hope that the wait for the next installment will be less than 17 years. Publishers Weekly (Starred Review)

It s the stuff the best gangster films are made of, and as a suspense/crime novel Death on Demand is perfectly composed, with the action kept in the realm of reality and a steady, tense wire of human pathos running down its spine. Just as Ihaka fails to be surprised by the mendacity he encounters, living in a world in which cops and crims engage gladly in mutual back-scratching, so Thomas shows us that in the end, anyone is capable of just about anything. As Ihaka reflects: Everyone gets called to account . . . One way or another, everybody pays. The Coast

"Paul Thomas, a bestselling New Zealand crime writer, deserves to be better known here. A lively plot, a good variety of characters, and Thomas doesn t burden us with excessive stuff about the detective s ethnic or tribal background." Times
Local hero, local setting, world-class crime writing: Ihaka s return is a rollicking read The Listener
"A splendidly written, constantly engaging, deliberately puzzling, always gripping story. Ihaka is wonderful, his fellow-cops and the crims (not always the same people) well delineated, and the women both femme and fatale." Crime Time
Tito Ihaka, the maverick Maori cop, dances through a minefield of police politics, old grudges, blackmail, and gangs as he hunts a faceless killer in Auckland. Filled with helter-skelter storylines, witty dialogue, and captivating characters. Herald on Sunday
"Foul-mouthed, ungovernable and not above meeting racist abuse with physical assault Maori detective Tito Ihaka of the Auckland police is a splendid creation. As a reader, you can't help wincing at the scrapes he gets himself into but you can't take your eyes off him either. Those familiar with the dry Kiwi wit will know what to expect from Thomas's dialogue. It may be occasionally shocking but it's never disappointing. It's early in the year but this is already on my list of 2013's best." Morning Star
Death on Demand sees the welcome return of Tito Ihaka, a maverick Maori cop, who this time goes after an elusive hitman. The unfamiliar locations are as compelling as the actions. Sunday Telegraph
Moves along very smartly, the action is non-stop, the protagonist entertaining enough to hold the attention, and the New Zealand setting provides a dimension of interest. It would be just the thing for a medium-haul flight. Reviewing The Evidence
Incredibly, readers believed in the private eye with cricket team ideals. We assumed that Chandler perhaps resembled his hero. He must have been similar, the kind of man who would stand steadfast in a difficult situation. Hard-boiled thrillers are written in a style that suggests tough guys behind the keyboard. Cynical lawyers like George V Higgins remembered the transcripts of interviews with their clients and reproduced it as noir crime. James Ellroy insisted he was authentic because he was honest about seedy sexual obsessions. This need for authenticity spread to other crime fiction. Women authors, like Patricia Cornwell, used their previous experience as pathologists and wrote novels about crime busting medics. Of course, time renders most attempts at authenticity as inadequate. Philip Marlowe is now a male fantasy that embarrasses modern men and those who read Death On Demand will afterwards be less susceptible to tales of strong potentially decent men redeemed by a virtuous or potentially virtuous female. James Ellroy may have to re-think his definition of authenticity. Paul Thomas has become addictive to New Zealand readers and this book demonstrates how. Crime Chronicles
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'A husband's offhand remark about hiring a hit man loses its humor when someone offers to take care of the task. The Auckland, New Zealand, case was never solved, and only Maori DS Tito Ihaka suspected the moneyed husband. Ihaka's rough edges and zeal effectively doomed him, and six years ago, he was reassigned to the Wellington area. Now, new revelations indicate that Ihaka's instincts were right; he is brought back to reopen the cold case. Before long, things turn hot as a complicated case involving grifters and shifting identities means more victims will fall. VERDICT New Zealand's irascible cop Tito Ihaka has been MIA since Thomas's last series entry in 1996 (Guerilla Season), and his return pleases on so many levels. Thomas is a past winner of the Ned Kelly Award, and this one looks to be a future nominee as well.' Library Journal

'Ned Kelly Award-winner Thomas takes his time letting readers in on what he's got up his sleeve in his fourth police procedural starring Maori Det. Sgt. Tito Ihaka (after 1996's Guerilla Season), but the deferred gratification is well worth it. A prologue opens 14 years in the past in Greytown, New Zealand. Eight years later, four male friends, a property developer, a lawyer, a dentist, and a businessman, are enjoying a regular weekend away together on Waiheke Island. A discussion of marital discontent ends with a joke about using the phone directory to call a hit man. Three months later, Joyce, presumably the wife of one of the four pals, is fatally struck by a car while jogging in an Auckland suburb. More people die, one way or another, as the action moves to the present. Ihaka, who must deal with prejudice from within the force, investigates. A twisty plot and an unusual lead combine to make this a winner, and even newcomers will hope that the wait for the next installment will be less than 17 years.' Publishers Weekly (Starred Review)

"It's the stuff the best gangster films are made of, and as a suspense/crime novel 'Death on Demand' is perfectly composed, with the action kept in the realm of reality and a steady, tense wire of human pathos running down its spine. Just as Ihaka fails to be surprised by the mendacity he encounters, living in a world in which cops and crims engage gladly in mutual back-scratching, so Thomas shows us that in the end, anyone is capable of just about anything. As Ihaka reflects: "Everyone gets called to account . . . One way or another, everybody pays." The Coast

"Paul Thomas, a bestselling New Zealand crime writer, deserves to be better known here. A lively plot, a good variety of characters, and Thomas doesn't burden us with excessive stuff about the detective's ethnic or tribal background." Times

"Local hero, local setting, world-class crime writing: Ihaka's return is a rollicking read" The Listener

"A splendidly written, constantly engaging, deliberately puzzling, always gripping story. Ihaka is wonderful, his fellow-cops and the crims (not always the same people) well delineated, and the women both femme and fatale." Crime Time

"Tito Ihaka, the maverick Maori cop, dances through a minefield of police politics, old grudges, blackmail, and gangs as he hunts a faceless killer in Auckland. Filled with helter-skelter storylines, witty dialogue, and captivating characters." Herald on Sunday

"Foul-mouthed, ungovernable and not above meeting racist abuse with physical assault Maori detective Tito Ihaka of the Auckland police is a splendid creation. As a reader, you can't help wincing at the scrapes he gets himself into but you can't take your eyes off him either. Those familiar with the dry Kiwi wit will know what to expect from Thomas's dialogue. It may be occasionally shocking but it's never disappointing. It's early in the year but this is already on my list of 2013's best." Morning Star

"Death on Demand sees the welcome return of Tito Ihaka, a maverick Maori cop, who this time goes after an elusive hitman. The unfamiliar locations are as compelling as the actions." Sunday Telegraph

"Moves along very smartly, the action is non-stop, the protagonist entertaining enough to hold the attention, and the New Zealand setting provides a dimension of interest. It would be just the thing for a medium-haul flight."Reviewing The Evidence

"Incredibly, readers believed in the private eye with cricket team ideals. We assumed that Chandler perhaps resembled his hero. He must have been similar, the kind of man who would stand steadfast in a difficult situation. Hard-boiled thrillers are written in a style that suggests tough guys behind the keyboard. Cynical lawyers like George V Higgins remembered the transcripts of interviews with their clients and reproduced it as noir crime. James Ellroy insisted he was authentic because he was honest about seedy sexual obsessions. This need for authenticity spread to other crime fiction. Women authors, like Patricia Cornwell, used their previous experience as pathologists and wrote novels about crime busting medics. Of course, time renders most attempts at authenticity as inadequate. Philip Marlowe is now a male fantasy that embarrasses modern men and those who read 'Death On Demand' will afterwards be less susceptible to tales of strong potentially decent men redeemed by a virtuous or potentially virtuous female. James Ellroy may have to re-think his definition of authenticity. Paul Thomas has become addictive to New Zealand readers and this book demonstrates how." Crime Chronicles