David Lachapelle. Good News
David LaChapelle
(Illustrator)
Description
TASCHEN presents Lost + Found and Good News, the latest and final publications from artist David LaChapelle. The books are the fourth and fifth installments of LaChapelle's five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).
Good News follows David LaChapelle's creative renaissance as he surrenders to contemplations of mortality, moving beyond the material world in a quest for paradise. Featuring a monumental curation of images, it is a sublime and arresting new body of work that attempts to photograph that which can't be photographed. It represents the final chapter to LaChapelle's narrative in a collection of books that have captivated a generation of viewers across the globe.
Good News features:
Pamela Anderson, Lana Del Rey, Sharon Gault, Janet Jackson, Michael Jackson, Paris Jackson, David LaChapelle, Amanda Lepore, Miriam Makeba, Sergei Polunin, Tupac Shakur, Elizabeth Taylor, and many more...
Lost + Found and Good News are sold separately.
Product Details
| Publisher | Taschen |
| Publish Date | October 30, 2024 |
| Pages | 284 |
| Language | English |
| Type |  Hardback |
| EAN/UPC | 9783836599658 |
| Dimensions | 12.5 X 9.8 X 0.8 inches | 3.9 pounds |
About the Author
David LaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. Since then his work has been exhibited in galleries and museums worldwide, including Tony Shafrazi Gallery and Deitch Projects in New York, and London's Barbican. His images have appeared in countless magazines including Vogue Italia, French Vogue, Vanity Fair, Rolling Stone and i-D. In recent years he has expanded into music videos, live theatrical events and documentary film-making.
Reviews
"Of all the photographers inventing surreal images, it is Mr. LaChapelle who has the potential to be the genre's Magritte."-- "Richard Avedon"
"An engrossing collection of LaChapelle's lurid, explicit, and hyperreal collages of fine art and pop culture."-- "The Miami New Times"
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