Ana Pascual Zurriaga, poet and visual artist graduated from the School of Art and Design of Valencia. She has appeared in various poetry anthologies; in Grito de mujer [Woman's Shout] among them (2015, 2016, 2017); her work was selected by publisher Diversidad Literaria for the following anthologies, Luz de luna (2019; Moon Light), Pluma, tinta y papel (2015; Pen, Ink, and Paper), Ella, la igualdad (2019; She, The Equality), published by the City Council of Valladolid, and Entre sílabas anda el juego (2019; The Game is in Between the Syllables). She was the illustrator of the historical novel Udula, el camino de la sal by J. Ramón Rivera (Círculo Rojo, 2017). And lastly but not least, Ana Pascual Zurriaga was awarded first price in decorated ceramic at the 43rd Annual Competition in Plastics Arts of Nuevo Centro, in Valencia, Spain.

Languages Department of Hunter College-CUNY. He is the author of numerous publications on the Neo-Baroque, and the relation between literature, the visual arts, and philosophy. Pérez is also the author of a number of literary works, among them The Divine Duty of Servants (Cool Grove, 1999), The Electric Comedy (Cool Grove Press, 2000), and The Lining of Our Souls: Excursions into Se- lected Paintings of Edward Hopper (Cool Grove Press, 2002). His work has been athologized in The Norton Anthology of Latino Literature (2012). His most recent publication, Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts was published in 2011 by Purdue University Press. 2016 saw the publication of two edited books of essays, Agorapoetics: Poetics after Postmod- ernism, and Filosofía y culturas hispánicas: nuevas perspectivas, co-edited with Nuria Morgado. And in 2017 La comedia eléctrica, a translation byÓscar Curieses of The Electric Comedy was published by Amargord Ediciones in Madrid.