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Description
One of our most imaginative and accomplished writers, Angela Carter left behind a dazzling array of work: essays, citicism, and fiction. But it is in her short stories that her extraordinary talents—as a fabulist, feminist, social critic, and weaver of tales—are most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.
Product Details
| Publisher | Penguin Books |
| Publish Date | August 01, 1997 |
| Pages | 480 |
| Language | English |
| Type |  Paperback / softback |
| EAN/UPC | 9780140255287 |
| Dimensions | 8.0 X 5.2 X 1.3 inches | 0.9 pounds |
About the Author
Angela Carter (1940 -1992) wrote nine novels and numerous short stories, as well as nonfiction, radio plays, and the screenplay for Neil Jordan's 1984 movie The Company of Wolves, based on her story. She won numerous literary awards, traveled and taught widely in the United States, and lived in London.
Born in Bombay in 1947, Salman Rushdie is the author of six novels, including Grimus, Shame, The Satanic Verses, The Moor's Last Sigh, and The Ground Beneath Her Feet, and a volume of essays, Imaginary Homelands. His numerous literary prizes include the Booker Prize for Midnight's Children and the Whitbread Prize for The Satanic Verses.
Born in Bombay in 1947, Salman Rushdie is the author of six novels, including Grimus, Shame, The Satanic Verses, The Moor's Last Sigh, and The Ground Beneath Her Feet, and a volume of essays, Imaginary Homelands. His numerous literary prizes include the Booker Prize for Midnight's Children and the Whitbread Prize for The Satanic Verses.
Reviews
"Carter's world is strange, dangerous, and beautiful."
—Alison Lurie, The New York Times Book Review
—Alison Lurie, The New York Times Book Review
"A treasure chest of literary and aesthetic experience … mysterious, glamorous, beautiful."
—Carolyn See, The Washington Post
"Carter's ability to probe the secret places in the human psyche, where mysterious erotic longings and unacknowledged links with the unearthly lie buried, verges on the supernatural."
—The Philadelphia Inquirer
"Her imagination was one of the most dazzling of this century."
—Marina Warner
"An amazing plum pudding … you should not miss this book."
—Margaret Atwood, Toronto Globe & Mail
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