PROSE Award- Music and Performing Arts Category Winner
A framework for understanding the deep archive of Black performance in the digital era
In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams's 1916 silent film short "A Natural Born Gambler" or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.
While Black Ephemera
celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera
argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital. Black Ephemera
is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.
About the Author
Mark Anthony Neal is the James B. Duke Distinguished Professor at Duke University. He is the founding director of the Center for Arts, Digital Culture and Entrepreneurship (CADC) at Duke, and co-directs the Duke Council on Race and Ethnicity. He is the author of Looking for Leroy: Illegible Black Masculinities, New Black Man, 2nd edition, Soul Babies: Black Popular Culture and the Post-Soul Aesthetic, and What the Music Said: Black Popular Music and Black Public Culture. He is co-editor of That's the Joint: The Hip Hop Studies Reader, Second edition. He is the host of the video webcast Left of Black.