Black Blossoms

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Product Details
Price
$15.95  $14.83
Publisher
Four Way Books
Publish Date
Pages
76
Dimensions
6.0 X 8.7 X 0.2 inches | 0.3 pounds
Language
English
Type
Paperback
EAN/UPC
9781935536154
BISAC Categories:

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About the Author
RIGOBERTO GONZÁLEZ is the author of two previous collections. He teaches at Rutgers University.
Reviews
Publisher s Weekly""
Library Journal"
This third book of poetry by Gonz lez, an award-winning Chicano writer equally at home in fiction (Crossing Vines) and children s literature, complements the male subjects of his Other Fugitives and Other Strangers by focusing on female bodies. The first part, Mundo de Mujeres (World of Women) poeticizes women on the fringe of society. Some lines conjure up graphic, arresting visions: The heavy snow disrobes the landscape of its mountains. ... [This collection] will appeal to fans of contemporary poetry "Library Journal""
STARRED REVIEW- The poems in Gonzalez s third collection are rooted in the female body. Death and decay also thread through the collection, manifesting in lush and sensuous imagery. In the title poem, Gonzalez addresses barren women in dark, graphic language that borders on the grotesque: when the sun sets next it will// blossom with the blackest mushrooms and the moths/ will lay their eggs on your leathery smiles. Gonzalez s poems depict the body as a space that carries burden and loss, the site of a fleeting life: this is the part where the woman enters./ This is the part where she leaves. Her life/ so quick it could have been missed had she left no evidence of the blackbird to construct/ its nest. Each of us is insignificant and replaceable, Gonzalez seems to say: borrowed body, in the time you must vacate, // let another take your space./ Don t worry about whom or when since the girl/ who comes after is already here. The last section (of four) is told through the voices of the female characters surrounding a mortician. Lust and marriage, birth and death, weave together in their observations and confessions. The mortician s wife observes, sound is death because it s/ irretrievable and every time I speak I die a little more. Publisher s Weekly"
STARRED REVIEW- -The poems in Gonzalez's third collection are rooted in the female body. Death and decay also thread through the collection, manifesting in lush and sensuous imagery. In the title poem, Gonzalez addresses barren women in dark, graphic language that borders on the grotesque: -when the sun sets next it will// blossom with the blackest mushrooms and the moths/ will lay their eggs on your leathery smiles.- Gonzalez's poems depict the body as a space that carries burden and loss, the site of a fleeting life: -this is the part where the woman enters./ This is the part where she leaves. Her life/ so quick it could have been missed had she left no evidence of the blackbird to construct/ its nest.- Each of us is insignificant and replaceable, Gonzalez seems to say: -borrowed body, in the time you must vacate, // let another take your space./ Don't worry about whom or when since the girl/ who comes after is already here.- The last section (of four) is told through the voices of the female characters surrounding a mortician. Lust and marriage, birth and death, weave together in their observations and confessions. The mortician's wife observes, -sound is death because it's/ irretrievable and every time I speak I die a little more.----Publisher's Weekly
STARRED REVIEW- "The poems in Gonzalez's third collection are rooted in the female body. Death and decay also thread through the collection, manifesting in lush and sensuous imagery. In the title poem, Gonzalez addresses barren women in dark, graphic language that borders on the grotesque: "when the sun sets next it will// blossom with the blackest mushrooms and the moths/ will lay their eggs on your leathery smiles." Gonzalez's poems depict the body as a space that carries burden and loss, the site of a fleeting life: "this is the part where the woman enters./ This is the part where she leaves. Her life/ so quick it could have been missed had she left no evidence of the blackbird to construct/ its nest." Each of us is insignificant and replaceable, Gonzalez seems to say: "borrowed body, in the time you must vacate, // let another take your space./ Don't worry about whom or when since the girl/ who comes after is already here." The last section (of four) is told through the voices of the female characters surrounding a mortician. Lust and marriage, birth and death, weave together in their observations and confessions. The mortician's wife observes, "sound is death because it's/ irretrievable and every time I speak I die a little more.""-- "Publisher's Weekly" (10/1/2011 12:00:00 AM)
This third book of poetry by Gonzalez, an award-winning Chicano writer equally at home in fiction (Crossing Vines) and children's literature, complements the male subjects of his Other Fugitives and Other Strangers by focusing on female bodies. The first part, "Mundo de Mujeres" (World of Women) poeticizes women on the fringe of society. Some lines conjure up graphic, arresting visions: "The heavy snow disrobes the landscape of its mountains." ... [This collection] will appeal to fans of contemporary poetry-- "Library Journal" (1/1/2011 12:00:00 AM)