Description"Each one must reach one and teach one, " says George Fraser. "We've got to connect and work together - because we have no choice! We can't expect others to do for us that which we will not do for ourselves. A movement in the twenty-first century to more effectively network and leverage our collective resources and intellectual capital will parallel the importance of the civil rights movement of the twentieth century. African Americans must start now. We must get together to get ahead." With scores of anecdotes taken from interviews with successful African Americans, Fraser shows how to network for information, for influence, and for resources - not just for individual attainment, but also for the benefit of the entire African-American community. A call for the revival of Afrocentric communal spirit among the millions of African Americans seeking personal and professional success, Success Runs in Our Race is an inspirational, information-packed bible of networking. It features new insights into how Kwanzaa, tribalism, the new Urban Village, and Rites of Passage will help increase your effectiveness in the community. More than a guide for personal achievement, Success Runs in Our Race seeks also to inspire a social movement and a rebirth of the Underground Railroad in which successful African Americans share the lessons of self-determination and empowerment with those still struggling to scale the ladder of success.
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About the Author
Jerdine Nolen is the author of a diverse range of picture books, from the thoughtful In My Momma's Kitchen to the wildly imaginative Harvey Potter's Balloon Farm, which was made into a TV movie. Jerdine Nolen lives with her children in Ellicott City, Maryland.
Kadir Nelson won the 2012 Coretta Scott King Author Award and Illustrator Honor for Heart and Soul: The Story of America and African Americans. He received Caldecott Honors for Henry's Freedom Box by Ellen Levine and Moses: When Harriet Tubman Led Her People to Freedom by Carole Boston Weatherford, for which he also garnered a Coretta Scott King Illustrator Award and won an NAACP Image Award. Ellington Was Not a Street by Ntozake Shange won a Coretta Scott King Illustrator Award. Nelson's authorial debut, We Are the Ship, was a New York Times bestseller, a Coretta Scott King Author Award winner, and a Coretta Scott King Illustrator Honor book. He is also the author and illustrator of the acclaimed Baby Bear.
"Freshly inspiring. This eloquent tale neither demeans the characters nor forces readers to identify directly with the character's suffering. Instead, the author and artist empower the audience to confront an unbearable history and come away with hope." -- Publishers Weekly (starred review)
"Part magical savior, part tall-tale hero, Big Jabe personifies the tri-umph of African Americans who (miraculously it must sometimes have seemed) escaped from slavery. Jerdine Nolen recounts her original tale with a light touch and lyrical voice that add depth and resonance to its telling imagery and serious overtones. This powerful story will be particularly effective shared aloud." -- Horn Book (starred review)
"Big Jabe seems not just larger than life, but a force of nature, subtle, secret, untouchable--and that undercurrent of mystery gives his story a mythic power." -- Kirkus Reviews (starred review)
"[Nelson's] finely hatched watercolor and gouache illustrations emphasize images of slave life; when he does depict Big Jabe's fantastic feats, his naturalistic style permits him to depict them with an apparent realism. Author and artist empower the audience to confront an unbearable history and come away with hope." -- Bulletin of the Center for Children's Books
"Part Moses, part John Henry, the man who leads the slaves to freedom in this original tall tale first appears on the plantation as a smiling little buy floating in a basket on the river. In just a few months he has grown into the giant, Jabe, with the strength of 50. Nolen dramatizes the strength of community and of story. Nelson's full-page pictures in ink, watercolor, and gouache show life in the Quarters and also the wild glory of the natural world that gives Big Jabe his mythic power." -- Booklist
"Nolen's writing draws readers into the narrative and presents the magical aspects matter-of-factly. The author uses traditional folklore motifs to good effect in creating this larger-than-life hero. Nelson's watercolor-and-gouache paintings bring the characters fully to life and provide a realistic and historically accurate setting for the fantastic events." -- School Library Journal
"Tall-tale-hero Jabe is informed by echoes of traditional folk heroes like High John the Conquerer, John Henry, and old Toby from 'The People Could Fly.' Nelson's illustrations evoke a sense of bucolic beauty on the one hand and tall-tale merriment on the other." -- Bulletin of the Center for Children's Books
"This book will be truly enjoyed by all ages." -- Multicultural Review
"Uses traditional folklore motifs to good effect in creating this larger-than-life hero." -- School Library Journal
"Tall-tale-hero Jabe is informed by echoes of traditional folk heroes like High John the Conqueror, John Henry, and old Toby from the African-American folktale 'The People Could Fly.' The final illustration of Big Jabe walking through the woods, towering over the trees, is a fitting image of this new hero." -- Bulletin of the Center for Children's Books
"Big Jabe was part John Henry, part Moses and part magician." -- Children's Book Review Service