Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature
Dan Sinykin
(Author)
21,000+ Reviews
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Description
Shortlisted, 2024 SHARP Book History Book Prize, Society for the History of Authorship, Reading, and Publishing
In the late 1950s, Random House editor Jason Epstein would talk jazz with Ralph Ellison or chat with Andy Warhol while pouring drinks in his office. By the 1970s, editors were poring over profit-and-loss statements. The electronics company RCA bought Random House in 1965, and then other large corporations purchased other formerly independent publishers. As multinational conglomerates consolidated the industry, the business of literature--and literature itself--transformed. Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry's daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction. Big Fiction features dazzling readings of a vast range of novelists--including E. L. Doctorow, Judith Krantz, Renata Adler, Stephen King, Joan Didion, Cormac McCarthy, Chuck Palahniuk, Patrick O'Brian, and Walter Mosley--as well as vivid portraits of industry figures. Written in gripping and lively prose, this deeply original book recasts the past six decades of American fiction.Product Details
Price
$36.00
Publisher
Columbia University Press
Publish Date
October 24, 2023
Pages
328
Dimensions
6.1 X 9.2 X 1.1 inches | 1.05 pounds
Language
English
Type
Paperback
EAN/UPC
9780231192958
BISAC Categories:
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About the Author
Dan Sinykin is an assistant professor of English at Emory University with a courtesy appointment in quantitative theory and methods. He is the author of American Literature and the Long Downturn: Neoliberal Apocalypse (2020). His writing has appeared in the New York Times, the Washington Post, the Los Angeles Review of Books, The Rumpus, Dissent, and other publications.
Reviews
Sinykin's Big Fiction is a book of major ambition and many satisfactions. Come for the comprehensive reframing of a key phase in U.S. literary history, stay for the parade of interesting people, the fascinating backstories of bestsellers, the electrically entertaining prose. The story of literary publishing in the postwar period has never been told with such verve.--Mark McGurl, author of Everything and Less: The Novel in the Age of Amazon
Big Fiction tackles a big subject with deep research, great ambition, and broad mindedness. Sinykin pulls together stories of famous authors and obscure yet central behind-the-scenes players to tell the complex and compelling history of modern publishing. This is essential reading for anyone interested in the too-often-overlooked forces that shape what is published, what is written, and what the future of books might hold.--Lincoln Michel, author of The Body Scout
A "Most Anticipated" Book of 2023-- "The Millions"
This is the book we've all been waiting for. Now more than ever, it's important to grasp how the books that come to shape our imaginations and our understanding of the world are made. Sinykin's elegant prose and careful analysis pull the curtain back, allowing us new perspectives on book making, book selling, and book promoting. It turns out that everything we thought we knew is a big fiction.--Dana A. Williams, Howard University
Ten years from now, Publishing Studies will be central to English departments, and Big Fiction will be a foundational text. Sinykin is precisely the critic I have been waiting for, with the intellectual range to bring rigor to the everyday processes by which publishing shapes how we write, read, and think.--Martin Riker, author of The Guest Lecture
In Big Fiction, Dan Sinykin tells the messy, sprawling story of American publishing in the postwar era through the voices and memories of many of its major figures--editors, agents, executives, authors--creating a rich cultural history any observer of the current literary scene will learn from. Through careful and incisive reading, he insists that books like Ragtime, Beloved, and Infinite Jest have much to tell us about the conditions under which they were published. Following through on Bakhtin's famous phrase--novels are the genre that represents "the zone of maximum content with the present"--Sinykin wants us to think of novels themselves as conglomerations, shaped by many influences, and in some cases by many hands. Big Fiction is provocative, smart, and disturbing; it deserves a big audience.--Jess Row, author of The New Earth and White Flights: Race, Fiction, and the American Imagination
Revelatory . . . Book lovers curious about how the proverbial sausage gets made will want to check this out.-- "Publishers Weekly"
Big Fiction tackles a big subject with deep research, great ambition, and broad mindedness. Sinykin pulls together stories of famous authors and obscure yet central behind-the-scenes players to tell the complex and compelling history of modern publishing. This is essential reading for anyone interested in the too-often-overlooked forces that shape what is published, what is written, and what the future of books might hold.--Lincoln Michel, author of The Body Scout
A "Most Anticipated" Book of 2023-- "The Millions"
This is the book we've all been waiting for. Now more than ever, it's important to grasp how the books that come to shape our imaginations and our understanding of the world are made. Sinykin's elegant prose and careful analysis pull the curtain back, allowing us new perspectives on book making, book selling, and book promoting. It turns out that everything we thought we knew is a big fiction.--Dana A. Williams, Howard University
Ten years from now, Publishing Studies will be central to English departments, and Big Fiction will be a foundational text. Sinykin is precisely the critic I have been waiting for, with the intellectual range to bring rigor to the everyday processes by which publishing shapes how we write, read, and think.--Martin Riker, author of The Guest Lecture
In Big Fiction, Dan Sinykin tells the messy, sprawling story of American publishing in the postwar era through the voices and memories of many of its major figures--editors, agents, executives, authors--creating a rich cultural history any observer of the current literary scene will learn from. Through careful and incisive reading, he insists that books like Ragtime, Beloved, and Infinite Jest have much to tell us about the conditions under which they were published. Following through on Bakhtin's famous phrase--novels are the genre that represents "the zone of maximum content with the present"--Sinykin wants us to think of novels themselves as conglomerations, shaped by many influences, and in some cases by many hands. Big Fiction is provocative, smart, and disturbing; it deserves a big audience.--Jess Row, author of The New Earth and White Flights: Race, Fiction, and the American Imagination
Revelatory . . . Book lovers curious about how the proverbial sausage gets made will want to check this out.-- "Publishers Weekly"
