Betty Boo
"Not for nothing is Claudia Piñeiro Argentina's most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism." Times-London "Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Piñeiro does." Booklist
The fourth novel from Claudia Piñeiro, South America's best-selling crime novelist.
When a renowned Buenos Aires industrialist is found dead at his home in an exclusive gated community called La Maravillosa, the novelist Nurit Iscar (once nicknamed Betty Boo owing to a resemblance to the cartoon character Betty Boop) is contracted by a former lover, the editor of a national newspaper, to cover the story. Nurit teams up with the paper's veteran, but now demoted, crime reporter. Soon they realize that they are falling in love, which complicates matters deliciously.
The murder is no random crime but one in a series that goes to the heart of the establishment. Five members of the Argentine industrial and political elite, who all went to the same boarding-school, have died in apparently innocent circumstances. The Maravillosa murder is just the last in the series and those in power in Argentina are not about to allow all this brought to light. Too much is at stake.
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Become an affiliate"Thursday Night Widows is a gripping story; rather like the maids and guards, we stand by and watch evil enter the lives of an obtuse, decadent, pseudo-community. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina's class structure and the willful blindness of its petty bourgeoisie." Times Literary Supplement
"A fast-paced thriller, Pineiro's novel describes and critiques the lifestyles of Argentina' nouveau riche, chronicling their rise into the exclusive world of the Heights and their downfalls as the economy sours after 9/11. An excellent choice for fans of international crime stories." Booklist
"Thursday Night Widows is a fine morality tale which explores the dark places societies enter when they place material comfort before social justice, and security before morality." Publishers Weekly
"If you read only one crime book in translation this year, make "All Yours" the one, a book that grabs you from the start and whips along at pace. . Pineiro is a best-selling Argentinean author, and unlike many South American books this one doesn't loiter. It screams out to become a film - The Postman Only Brings Double Indemnity perhaps'. CrimeTime
Thursday Night Widows is a gripping story; rather like the maids and guards, we stand by and watch evil enter the lives of an obtuse, decadent, pseudo-community. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina s class structure and the willful blindness of its petty bourgeoisie. Times Literary Supplement
A fast-paced thriller, Pineiro s novel describes and critiques the lifestyles of Argentina nouveau riche, chronicling their rise into the exclusive world of the Heights and their downfalls as the economy sours after 9/11. An excellent choice for fans of international crime stories. Booklist
Thursday Night Widows is a fine morality tale which explores the dark places societies enter when they place material comfort before social justice, and security before morality. Publishers Weekly
If you read only one crime book in translation this year, make All Yours the one, a book that grabs you from the start and whips along at pace. . Pineiro is a best-selling Argentinean author, and unlike many South American books this one doesn't loiter. It screams out to become a film The Postman Only Brings Double Indemnity perhaps . CrimeTime
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The Times (London):
Not for nothing is Claudia Pineiro Argentina s most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism. Delightful characters include a morose veteran hack and a young trainee known only as Crime Boy. Iscar falls in love and the homicide count has moved up the ladder of Argentine politicians."
Booklist:
"Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don t take the kinds of risks Pineiro does."
Publishers Weekly:
"At the start of this thought-provoking mystery from Pineiro (A Crack in the Wall), maid Gladys Verela arrives at the Maravillosa Country Club, where industrialist Pedro Chazaretta has a house on the grounds. In the living room, Gladys spots Chazaretta sitting in a chair, apparently asleep, but in fact his throat has been slit. In Pineiro s artful hands, each of her investigators learns as much about himself or herself as about the murder on the way to the surprising, perfectly executed ending."
Book Riot:
"Pineiro is AWESOME. Her books are dark, have buckets of atmosphere, and they all feel entirely different even though she revisits some of the same issues again and again. She deals with the culture and social structure within gated communities; shows how walling ourselves in seems safer, but actually promotes fear and claustrophobia; she deals with gender roles and prejudice and economic class and long-held secrets that fester."
"
The Times (London):
"Not for nothing is Claudia Pineiro Argentina's most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism. Delightful characters include a morose veteran hack and a young trainee known only as Crime Boy. Iscar falls in love and the homicide count has moved up the ladder of Argentine politicians." Booklist:
"Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Pineiro does." Publishers Weekly:
"At the start of this thought-provoking mystery from Pineiro (A Crack in the Wall), maid Gladys Verela arrives at the Maravillosa Country Club, where industrialist Pedro Chazaretta has a house on the grounds. In the living room, Gladys spots Chazaretta sitting in a chair, apparently asleep, but in fact his throat has been slit. In Pineiro's artful hands, each of her investigators learns as much about himself or herself as about the murder on the way to the surprising, perfectly executed ending." Book Riot:
"Pineiro is AWESOME. Her books are dark, have buckets of atmosphere, and they all feel entirely different even though she revisits some of the same issues again and again. She deals with the culture and social structure within gated communities; shows how walling ourselves in seems safer, but actually promotes fear and claustrophobia; she deals with gender roles and prejudice and economic class and long-held secrets that fester."