Best Microfiction 2019

(Editor) (Editor)
& 1 more
Available

Product Details

Price
$20.00
Publisher
Pelekinesis
Publish Date
Pages
210
Dimensions
4.3 X 7.0 X 0.5 inches | 0.4 pounds
Language
English
Type
Paperback
EAN/UPC
9781949790061
BISAC Categories:

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About the Author

Deb Olin Unferth is the author of six books, including the novel Barn 8 (Graywolf Press, 2020). Her work has appeared in Harper's, the New York Times, The Paris Review, Granta, NOON, Conjunctions, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, and a Creative Capital Fellowship, and she was a finalist for the National Book Critics' Circle Award. A professor at the University of Texas at Austin, she also directs the Pen City Writers, a creative-writing program at a south Texas penitentiary.

Gary Fincke, editor, has published thirty-one books of poetry, short fiction, and nonfiction, most recently, Bringing Back the Bones: New and Selected Poems (Stephen F. Austin University Press, 2016), A Room of Rain: Stories, and The Killer's Dog: Stories (Elixir Press, 2017). Meg Pokrass, series editor, is the author of 7 flash fiction collections, an award-winning collection of prose poetry, 2 flash-novellas and 2 new co-written collections of flash, Picking Up the Moose, co-written with Jeff Friedman (Pelekinesis, 2022) and Disappearing Debutantes, co-written with Aimee Parkison (Outpost 19, 2023). Her work has appeared in hundreds of literary magazines and international anthologies including Electric Literature, Wigleaf, Washington Square Review, American Journal of Poetry, McSweeney's has appeared in 2 Norton anthologies of the flash fiction form: New Micro (W.W. Norton & Co., 2018), Flash Fiction International (W.W. Norton & Co., 2015). Meg is the Founding Editor of New Flash Fiction Review, Flash Challenge Columnist for Mslexia Magazine, and teaches private microfiction workshops. Meg lives in Inverness, Scotland.
Dan Chaon is the guest editor. His most recent book is Ill Will, a novel.

Reviews

"A terrific collection of ultra-short stories--complex, thrilling, sometimes just crazy-nutball, in the best possible way! Huzzah!"
--Frederick Barthelme

"Yes, this is how it is done. Beautiful, brooding, erotic, mysterious, idiosyncratic words shaped into thunderbolts, shocks that reveal what we didn't know we know. Words filled with promise, bewildering and enchanting us. This is flash at its best, flash now."
--Jane Ciabattari, columnist, BBC Culture, The Literary Hub

"A brilliant, moving, entertaining collection of very short stories, chosen by an editor who is himself a master storyteller. This promises to be a great series. Highly recommended."
--Robert Shapard, coeditor W.W. Norton's Flash Fiction International

"These fictions are travel guides, conversations, spell and incantations, language feasts, character studies, lab experiments. They are stories in the wildest sense of the word: stories that push and pull at boundaries, stories that move mountains and dig rivers and do it all while whispering quietly that they can."
--Amber Sparks