
Ben Hecht's Theatre of Jewish Protest
Garrett Eisler
(Author)21,000+ Reviews
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Description
Ben Hecht is most remembered as a famous Hollywood screenwriter and Broadway playwright, but only recently has his extensive Jewish activism during the Holocaust and its aftermath received scholarly attention. Unlike other, more expansive Hecht biographies, this book focuses in depth on his Jewish political theatre, drawing on extensive archival research of four dramas: We Will Never Die (1943), A Jewish Fairy Tale (1944), A Flag Is Born (1946), and The Terrorist (1947). Garrett Eisler's readings of these little-known (and out of print) texts reclaim them as pivotal to the history of Jewish American drama, being among the first works of U.S. theatre to address the Holocaust. The full texts of all four works are republished here for the first time, along with production details and full performance histories.
Hecht introduced a new heroic Jewish identity to the American stage, one that challenged popular stereotypes of villainy or weakness. This powerful and (still) controversial body of work stands as a striking testament to the power of theatre to rise to the moment.
Product Details
Publisher | Rutgers University Press |
Publish Date | January 14, 2025 |
Pages | 272 |
Language | English |
Type | |
EAN/UPC | 9781978835948 |
Dimensions | 9.2 X 6.2 X 0.6 inches | 0.9 pounds |
About the Author
GARRETT EISLER has taught in theatre programs at New York University's Tisch School of the Arts, the New School's Eugene Lang College, Brooklyn College, and Boston University. He is the editor of Twentieth-Century American Dramatists: Fifth Series.
Reviews
"A special value of Ben Hecht's Theatre of Jewish Protest is its recovery and printing of the four works that were intended to advance Jewish rights and interests. . . . For Hecht, Jewish existence was terrifyingly precarious, and to defend it art might inspire action."--Stephen Whitfield "Jewish Book Council"
"Ben Hecht's Theatre of Jewish Protest is an admirably thoughtful and thorough exploration of Hecht's four plays focusing on the Holocaust. I highly endorse it."--Norman J. Fedder "distinguished pro-fes-sor emer-i-tus of the-atre at Kansas State Uni-ver-si-ty"
"A welcome contribution to the growing body of research on Ben Hecht's work with the Bergson Group during the Second World War and its immediate aftermath."--Edna Nahshon "author of New York's Yiddish Theater: From the Bowery to Broadway"
"Offering a deep dive into Ben Hecht's explicitly Jewish and Zionist pageants of the 1940s, Garrett Eisler has rescued these compelling and star-studded spectacles from their previous consignment to the footnotes of Hecht's long and illustrious career. Richly detailed and documented - including the full-text of four out-of-print or previously unpublished scripts - the book vividly evokes the period when a handful of Jewish theatre artists, galvanized to action by the Holocaust, used the tools of their trade to influence public opinion, and in so doing assert their Jewishness to a degree never before seen on American stages."--Henry Bial "author of Acting Jewish: Negotiating Ethnicity on the American Stage and Screen"
"Ben Hecht's Theatre of Jewish Protest is an admirably thoughtful and thorough exploration of Hecht's four plays focusing on the Holocaust. I highly endorse it."--Norman J. Fedder "distinguished pro-fes-sor emer-i-tus of the-atre at Kansas State Uni-ver-si-ty"
"A welcome contribution to the growing body of research on Ben Hecht's work with the Bergson Group during the Second World War and its immediate aftermath."--Edna Nahshon "author of New York's Yiddish Theater: From the Bowery to Broadway"
"Offering a deep dive into Ben Hecht's explicitly Jewish and Zionist pageants of the 1940s, Garrett Eisler has rescued these compelling and star-studded spectacles from their previous consignment to the footnotes of Hecht's long and illustrious career. Richly detailed and documented - including the full-text of four out-of-print or previously unpublished scripts - the book vividly evokes the period when a handful of Jewish theatre artists, galvanized to action by the Holocaust, used the tools of their trade to influence public opinion, and in so doing assert their Jewishness to a degree never before seen on American stages."--Henry Bial "author of Acting Jewish: Negotiating Ethnicity on the American Stage and Screen"
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