"However spectral, this fictive double of the author produces a vividly expressionist argument that the transformations of adolescence amount to the literal death of the child. She also serves up a finely observed account of how a person--specifically, a high-strung, privileged, and impatient Catholic girl like the author herself--becomes a writer." -- Will Heinrich, BOMB Magazine

"A ferociously intimate evisceration of her own formative personal history as well as an exploration of everything that is lost with childhood and of the places of silence that precede speaking." -- Aaron Bady, Guernica

"Before is a small gem that brings to mind two other gems of Mexican literature: Juan Rulfo's Pedro Páramo and Carlos Fuentes's Aura. This comparison is not overstated. Like its predecessors, death is a central theme in Boullosa's novella. Before differs, however, in the playful, sometimes irreverent way in which the protagonist confronts this macabre topos." -- George Henson, World Literature Today

"Boullosa's novel is playfully subversive rather than derivative, and converses with her precursors while forging a decidedly feminine?--?and feminist?--?path for the treatment of growing up (or failing at it)." -- Charlotte Whittle, Electric Literature

"Part ghost story, part coming-of-age tale, Before is utterly haunting, mesmerizing and heartbreaking. This novel is an eerie and unforgettable masterpiece, an original take on the Central and South American tradition of magical realist literature." -- Ann Mayhew, The Riveter Magazine

One of Bookriot's "7 Small Press Books to Read in August" 2016

One of Literary Hub's "13 Translated Books by Women You Should Read"

"Told by an unnamed, extremely sensitive, and very frightened girl, this early novel by one of Mexico's premier writers rivals Clarice Lispector's work for sheer hypnotic power." -- Staff Pick at Politics & Prose Bookstore in Washington DC

"Like Eimear McBride's A Girl is a Half-Formed Thing, Carmen Boullosa's peculiarly spooky novella uses formal experimentation and an uncompromising emotional honesty to explore the formation of a young woman's identity. Only a writer as fearless as Boullosa could so perfectly capture the unease of youth with such Angela Carter-like weirdness." -- Garry Perry, Staff Pick at Foyle's Bookstore London

"What strikes the heart in Before is the profound earnestness in which the narrator explores the memories that transform her life...Boullosa captures these sensations with a poet's heart and sensibility." -- Laura Farmer, The Cedar Rapids Gazette

"Everything is in flux and in motion in Before, corresponding to the narrator's emotional and psychological state leading up to and including the twin traumas of losing her mother and achieving puberty." -- Rachel Cordasco, Bookishly Witty blog

"spooky...Breathless, haunting..." Suzanne Fischer, Tiny Letter

"Carmen Boullo
One of Bookriot's "50 Must-Read Modern Classics in Translation""This 1989 novel from one of Mexico's most prolific authors won the Xavier Villarutia Prize, the country's most prestigious literary award. In its first English translation, Before offers a perfect introduction to Boullosa's fluid and powerful writing... Beneath the events Boullosa presents in often comic terms - playing childhood games with her half-sisters, visits to her grandmother, the shock of coming into womanhood at the time of her mother's death, her savage dreams - is a powerfully rendered sense of loss and separation." -- BBC Culture's "10 Books to Read in August" by Jane Ciabattari

"However spectral, this fictive double of the author produces a vividly expressionist argument that the transformations of adolescence amount to the literal death of the child. She also serves up a finely observed account of how a person--specifically, a high-strung, privileged, and impatient Catholic girl like the author herself--becomes a writer." -- Will Heinrich, BOMB Magazine

"A ferociously intimate evisceration of her own formative personal history as well as an exploration of everything that is lost with childhood and of the places of silence that precede speaking." -- Aaron Bady, Guernica

"Before is a small gem that brings to mind two other gems of Mexican literature: Juan Rulfo's Pedro Páramo and Carlos Fuentes's Aura. This comparison is not overstated. Like its predecessors, death is a central theme in Boullosa's novella. Before differs, however, in the playful, sometimes irreverent way in which the protagonist confronts this macabre topos." -- George Henson, World Literature Today

"Boullosa's novel is playfully subversive rather than derivative, and converses with her precursors while forging a decidedly feminine?--?and feminist?--?path for the treatment of growing up (or failing at it)." -- Charlotte Whittle, Electric Literature

"Part ghost story, part coming-of-age tale, Before is utterly haunting, mesmerizing and heartbreaking. This novel is an eerie and unforgettable masterpiece, an original take on the Central and South American tradition of magical realist literature." -- Ann Mayhew, The Riveter Magazine

One of Bookriot's "7 Small Press Books to Read in August" 2016

One of Literary Hub's "13 Translated Books by Women You Should Read"

"Told by an unnamed, extremely sensitive, and very frightened girl, this early novel by one of Mexico's premier writers rivals Clarice Lispector's work for sheer hypnotic power." -- Staff Pick at Politics & Prose Bookstore in Washington DC

"Like Eimear McBride's A Girl is a Half-Formed Thing, Carmen Boullosa's peculiarly spooky novella uses formal experimentation and an uncompromising emotional honesty to explore the formation of a young woman's identity. Only a writer as fearless as Boullosa could so perfectly capture the unease of youth with such Angela Carter-like weirdness." -- Garry Perry, Staff Pick at Foyle's Bookstore London

"What strikes the heart in Before is the profound earnestness in which the narrator explores the memories that transform her life...Boullosa captures these sensations with a poet's heart and sensibility." -- Laura Farmer, The Cedar Rapids Gazette

"Everything is in flux and in motion in Before, corresponding to the narrator's emotional and psychological state leading up to and including the twin traumas of losing her mother and achieving puberty." -- Rachel Cordasco, Bookishly Witty blog