Becoming Human: Matter and Meaning in an Antiblack World
Zakiyyah Iman Jackson
(Author)
Description
Winner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women's Studies Association
Winner, 2021 Harry Levin Prize, given by the American Comparative Literature Association Winner, 2021 Lambda Literary Award in LGBTQ Studies Argues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the human Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the Enlightenment. In so doing, Becoming Human demonstrates that the history of racialized gender and maternity, specifically anti-Blackness, is indispensable to future thought on matter, materiality, animality, and posthumanism. Jackson argues that African diasporic cultural production alters the meaning of being human and engages in imaginative practices of world-building against a history of the bestialization and thingification of Blackness--the process of imagining the Black person as an empty vessel, a non-being, an ontological zero--and the violent imposition of colonial myths of racial hierarchy. She creatively responds to the animalization of Blackness by generating alternative frameworks of thought and relationality that not only disrupt the racialization of the human/animal distinction found in Western science and philosophy but also challenge the epistemic and material terms under which the specter of animal life acquires its authority. What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of "the human."Product Details
Price
$34.50
Publisher
New York University Press
Publish Date
May 19, 2020
Pages
320
Dimensions
6.1 X 6.6 X 0.6 inches | 1.0 pounds
Language
English
Type
Paperback
EAN/UPC
9781479830374
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About the Author
Zakiyyah Iman Jackson is Assistant Professor of English at the University of Southern California. Her work has appeared in Feminist Studies, Gay and Lesbian Quarterly, Qui Parle: Critical Humanities and Social Sciences, South Atlantic Quarterly, and Catalyst: Feminism, Theory, and Technoscience
Reviews
"Brilliantly reframes the relation between blackened life and the category of the human, by shifting the terms of the debate. She maintains that neither dehumanization nor exclusion are sufficient to explain antiblackness and its descending scale of life. In so doing, Jackson's 'ontological plasticity' reveals the controlled depletion that produces the liquidity of life and fleshly existence, and enables blackened life to be anything, which is also to say nothing at all. Jackson's rigorous and sustained meditation is relentless in exploring the possibilities for a generative disordering of being, inhabiting other senses of the world, and imagining the field of relation in ceaseless flux and directionless becoming."--Saidiya Hartman, author of Wayward Lives, Beautiful Experiments
"The sheer beauty, force, and ingenuity of Zakiyyah Iman Jackson's aesthetic strategies and gestures are on display as she performs the very risks and rewards she conjures. Offering a brilliant intervention into questions of the human, each of Jackson's readings profoundly unsettle our presumed relations and prevailing ontologies. She reads western philosophy and science through African diasporic literatures, theories, and visual art to open us up to what is made--what might be made--in excess of the matrix of antiblackness and its constitutive forms of the human, animal, gender, and matter. In the book's range of knowledges, reach, and scope, no field nor discipline would not benefit from a real and sustained engagement with the work that Jackson undertakes here."--Christina Sharpe, author of In the Wake
"The sheer beauty, force, and ingenuity of Zakiyyah Iman Jackson's aesthetic strategies and gestures are on display as she performs the very risks and rewards she conjures. Offering a brilliant intervention into questions of the human, each of Jackson's readings profoundly unsettle our presumed relations and prevailing ontologies. She reads western philosophy and science through African diasporic literatures, theories, and visual art to open us up to what is made--what might be made--in excess of the matrix of antiblackness and its constitutive forms of the human, animal, gender, and matter. In the book's range of knowledges, reach, and scope, no field nor discipline would not benefit from a real and sustained engagement with the work that Jackson undertakes here."--Christina Sharpe, author of In the Wake
