Bad News for Outlaws: The Remarkable Life of Bass Reeves, Deputy U.S. Marshal
Description
Coretta Scott King Author Award
Read about the fascinating life of Bass Reeves, who escaped slavery to become the first African American Deputy US Marshal west of the Mississippi.
Sitting tall in the saddle, with a wide-brimmed black hat and twin Colt pistols on his belt, Bass Reeves seemed bigger than life. Outlaws feared him. Law-abiding citizens respected him. As a peace officer, he was cunning and fearless. When a lawbreaker heard Bass Reeves had his warrant, he knew it was the end of the trail, because Bass always got his man, dead or alive. He achieved all this in spite of whites who didn't like the notion of a Black lawman.
Born into slavery in 1838, Bass had a hard and violent life, but he also had a strong sense of right and wrong that others admired. When Judge Isaac Parker tried to bring law and order to the lawless Indian Territories, he chose Bass to be a Deputy US Marshal. Bass would quickly prove a smart choice. For three decades, Bass was the most feared and respected lawman in the territories. He made more than 3,000 arrests, and though he was a crack shot and a quick draw, he only killed fourteen men in the line of duty. The story of Bass Reeves is the story of a remarkable African American and a remarkable hero of the Old West.
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Reviews
"Bass Reeves's life is the stuff from which legends are made. Born a slave, he escaped to Indian Territory (now known as Oklahoma), captured over three thousand men and women as a deputy U.S. marshal, and spent his few years of retirement on a small-town police force. Reeves, as a fellow sharpshooter once said, 'could shoot the left hind leg off a contented fly sitting on a mule's ear at a hundred yards and never ruffle a hair, ' and was a man of such honor that he arrested his own son for murder. This captivating biography, told in language as colorful as Reeves's career, grabs readers with an 1884 gunfight, then flashes back to Reeves's early life and continues until his death. Section headings ('Slave Days, 1840s-1860s'; 'Freedom and Family, Late 1860s-1874') underscore the chronology, while boldfaced subheadings provide a textbook lesson on how topic sentences work. Typically, the subheadings offer an opinion ('Bass was respected, and he was hated') followed by a paragraph or two of supporting information. Accentuated with a palette knife, Christie's sharply textured paintings create an impressionist background of an unformed land as well as detailed portraits of this multi-dimensional individual, his bold black hat conveying unmistakable authority. Includes documentation, a glossary, a timeline, recommended readings and bibliography, and historical author notes. b.c." --The Horn Book Magazine
-- (11/1/2009 12:00:00 AM)