Averno: Poems
Louise Gluck
(Author)
21,000+ Reviews
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Description
WINNER OF THE NOBEL PRIZE IN LITERATURE
Averno is a small crater lake in southern Italy, regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Glück's tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring present. Averno is a 2006 National Book Award Finalist for Poetry.Product Details
Price
$13.00
$12.09
Publisher
Farrar, Strauss & Giroux-3pl
Publish Date
February 06, 2007
Pages
96
Dimensions
5.4 X 8.0 X 0.4 inches | 0.3 pounds
Language
English
Type
Paperback
EAN/UPC
9780374530747
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About the Author
Louise Glück (1943-2023) was the author of two collections of essays and thirteen books of poems. Her many awards included the Nobel Prize in Literature, the National Humanities Medal, the Pulitzer Prize for The Wild Iris, the National Book Award for Faithful and Virtuous Night, the National Book Critics Circle Award for The Triumph of Achilles, the Bollingen Prize for Poetry, the Los Angeles Times Book Prize for Poems 1962-2012, and the Wallace Stevens Award from the Academy of American Poets. She taught at Yale University and Stanford University and lived in Cambridge, Massachusetts and Montpelier, Vermont.
Reviews
"Brilliant [poems of] complex, haunting power . . . Averno may be Glück's masterpiece. Certainly it demonstrates that she is writing at the peak of her powers." --Nicholas Christopher, The New York Times Book Review
"Few poets can shoulder the weight of myth the way Glück does . . . The poems brilliantly display a poet's insight, a mother's warmth, and a mortal's empathy. There is wry humor, too, and, amid much that is dark, there are fragments of hope." --The New Yorker
