Artforum
Katherine Silver
(Translator)
21,000+ Reviews
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Description
Artforum is certainly one of César Aira's most charming, quirky, and funny books to date. Consisting of a series of interrelated stories about his compulsion to collect Artforum magazine, this is not about art so much as it is about passionate obsession. At first we follow our hapless collector from magazine shops to used bookstores hunting for copies of Artforum. A friend alerts him to a copy somewhere and he obsesses about actually going to get it--will the shop be open, will the copy already be sold? Finally he takes out a subscription, but then it never comes, so he hounds the mailman. There's the day his stash of Artforums gets rained on, but only one absorbs the water. And interspersed is a wacky chapter about the mystery of the broken clothespins. "How weird." "How crazy."
Product Details
| Publisher | New Directions Publishing Corporation |
| Publish Date | March 31, 2020 |
| Pages | 80 |
| Language | English |
| Type |  Paperback / softback |
| EAN/UPC | 9780811229265 |
| Dimensions | 7.0 X 4.3 X 0.5 inches | 0.1 pounds |
About the Author
CÉSAR AIRA was born in Coronel Pringles, Argentina in 1949, and has lived in Buenos Aires since 1967. He taught at the University of Buenos Aires (about Copi and Rimbaud) and at the University of Rosario (Constructivism and Mallarmé), and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela. Perhaps one of the most prolific writers in Argentina, and certainly one of the most talked about in Latin America, Aira has published more than 100 books to date in Argentina, Mexico, Colombia, Venezuela, Chile, and Spain, which have been translated for France, Great Britain, Italy, Brazil, Portugal, Greece, Austria, Romania, Russia, and the United States. One novel, La prueba, has been made into a feature film, and How I Became a Nun was chosen as one of Argentina's ten best books. Besides essays and novels Aira writes regularly for the Spanish newspaper El País. In addition to winning the 2021 Formentor Prize, he has received a Guggenheim scholarship, and was shortlisted for the Rómulo Gallegos prize and the Booker International Prize.
Katherine Silver's award-winning translations include works by María Sonia Cristoff, Daniel Sada, César Aira, Julio Cortázar, Juan Carlos Onetti, and Julio Ramón Ribeyro. The author of Echo Under Story, she volunteers as an interpreter for asylum seekers.
Reviews
[W]hile the volume may be slim, it is a surprisingly rich work. For those who have not read him, it is also an excellent place to start a relationship.--Reinaldo Laddaga "4Columns"
Artforum, the newest work by César Aira to be published in the U.S., is one of the most fascinating experiences in modern literature. A novel that synthesizes surrealism, pseudo-memoir, philosophy, and theater into the compact space of eighty-two pages, it somehow still retains the fluttery and playful tone that makes this book so enjoyable to read.-- "Rain Taxi"
A marvelous little collection about compulsion, obsession, and the extraordinary joy that a simple pleasure can bring.-- "Kirkus Review"
Aira is unencumbered. He does what he does, and what we receive is giddy, unquestionably self-indulgent, and yet absolutely perfect...For a novella like Artforum, one doesn't need to reach deep into the toolkit of literary theory. Aira creates his own epistemology. It's marvelous to witness.--Kamil Ahsan "NPR"
Aira's cubist eye sees from every angle.--Patti Smith "The New York Times Book Review"
As Aira illuminates the dead ends in his drive to collect the magazine, he offers rich insight into the appreciation of art and the desire to possess. This entertaining jaunt through the writer's creative development satisfies with brevity and grace.-- "Publishers Weekly"
César Aira is an experimental Argentinian author whose short fiction is often funny and always mind-boggling. His new novella, Artforum, is an excellent entrypoint into his wild body of work.-- "GQ"
His novels are more meaningful when taken together, each a shard of the same symbolic object. Artforum is a minor work that creates a minor cosmos, and in so doing feels -- like the rest of Aira, and the best of art -- major.--Tyler Malone "The Los Angeles Times"
I can think of no other writer as concerned with formal and thematic questions of pace (not of time, but of the various speeds at which we feel time pacing): not only are the individual books quick-moving, but he's published over a hundred of them, with no signs of slowing down.--Steven Zultanski "Frieze"
Artforum, the newest work by César Aira to be published in the U.S., is one of the most fascinating experiences in modern literature. A novel that synthesizes surrealism, pseudo-memoir, philosophy, and theater into the compact space of eighty-two pages, it somehow still retains the fluttery and playful tone that makes this book so enjoyable to read.-- "Rain Taxi"
A marvelous little collection about compulsion, obsession, and the extraordinary joy that a simple pleasure can bring.-- "Kirkus Review"
Aira is unencumbered. He does what he does, and what we receive is giddy, unquestionably self-indulgent, and yet absolutely perfect...For a novella like Artforum, one doesn't need to reach deep into the toolkit of literary theory. Aira creates his own epistemology. It's marvelous to witness.--Kamil Ahsan "NPR"
Aira's cubist eye sees from every angle.--Patti Smith "The New York Times Book Review"
As Aira illuminates the dead ends in his drive to collect the magazine, he offers rich insight into the appreciation of art and the desire to possess. This entertaining jaunt through the writer's creative development satisfies with brevity and grace.-- "Publishers Weekly"
César Aira is an experimental Argentinian author whose short fiction is often funny and always mind-boggling. His new novella, Artforum, is an excellent entrypoint into his wild body of work.-- "GQ"
His novels are more meaningful when taken together, each a shard of the same symbolic object. Artforum is a minor work that creates a minor cosmos, and in so doing feels -- like the rest of Aira, and the best of art -- major.--Tyler Malone "The Los Angeles Times"
I can think of no other writer as concerned with formal and thematic questions of pace (not of time, but of the various speeds at which we feel time pacing): not only are the individual books quick-moving, but he's published over a hundred of them, with no signs of slowing down.--Steven Zultanski "Frieze"
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