Artemisia Gentileschi
Jonathan Jones
(Author)
21,000+ Reviews
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Description
Artemisia Gentileschi was the greatest female artists of the Baroque age. In Artemisia Gentileschi, critic and historian Jonathan Jones discovers how Artemisia overcame a turbulent past to become one of the foremost painters of her day. As a young woman Artemisia was raped by her tutor, and then had to endure a seven-month-long trial during which she was brutally examined by the authorities. Gentileschi was shamed in a culture where honour was everything. Yet she went on to become one of the most sought-after artists of the seventeenth century. Yet she went on to become one of the most sought-after artists of the seventeenth century. Gentileschi's art communicated a powerful personal vision. Like Frida Kahlo, Louise Bourgeois or Tracey Emin, she put her life into her art. 'Lives of the Artists'is a new series of brief artists biographies from Laurence King Publishing. The series takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life.
Product Details
Price
$17.99
$16.73
Publisher
Laurence King
Publish Date
March 31, 2020
Pages
144
Dimensions
4.8 X 7.2 X 0.6 inches | 0.5 pounds
Language
English
Type
Hardcover
EAN/UPC
9781786276094
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Become an affiliateAbout the Author
Jonathan Jones is art critic for The Guardian and the author of Sensations: The Story of British Art from Hogarth to Banksy, as well as The Loves of the Artists: Art and Passion in the Renaissance and The Lost Battles: Leonardo, Michelangelo and the Artistic Duel that Defined the Renaissance.
Reviews
""Jonathan Jones's neat little Artemisia Gentileschi (Laurence King) gives us everything we need to know about the life of an extraordinary woman from a rough bit of Rome who survived multiple misogynies to become one of the most sought-after artists of the 17th century." - The Guardian,