Arbus Friedlander Winogrand: New Documents, 1967
Description
In the past decade a new generation of photographers has directed the documentary approach toward more personal ends. Their aim has been not to reform life, but to know it. --John Szarkowski
In 1967, The Museum of Modern Art presented New Documents, a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand.
Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski's original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.Product Details
Price
$45.00
$41.85
Publisher
Museum of Modern Art
Publish Date
April 25, 2017
Pages
160
Dimensions
9.3 X 0.8 X 10.8 inches | 2.4 pounds
Language
English
Type
Hardcover
EAN/UPC
9780870709555
BISAC Categories:
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About the Author
Max Kozloff is an American art historian, art critic of modern art, and photographer. He has been art editor at The Nation and executive editor of Artforum.
Diane Arbus (1923-1971) is one of the most original and influential artists of the twentieth century. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model and had her first published photographs appear in Esquire in 1960. In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships and was one of three photographers whose work was the focus of New Documents, John Szarkowski's landmark exhibition at The Museum of Modern Art, New York, in 1967. Arbus's depictions of couples, children, female impersonators, nudists, New York City pedestrians, suburban families, circus performers, and celebrities, among others, span the breadth of the postwar American social sphere and constitute a diverse and singularly compelling portrait of humanity.
Reviews
It's hard to overestimate the influence that these modest, slice-of-life scenes would have on subsequent generations of photographers.--The New Yorker
MOMA's new book not only pays tribute to the landmark show but also provides the exhibition catalogue that never was: the book includes installation shots and Szarkowski's seminal wall text alongside every picture that was displayed.--The New Yorker
MOMA's new book not only pays tribute to the landmark show but also provides the exhibition catalogue that never was: the book includes installation shots and Szarkowski's seminal wall text alongside every picture that was displayed.--The New Yorker