All the Sonnets of Shakespeare

Product Details
$20.95  $19.48
Cambridge University Press
Publish Date
7.7 X 8.7 X 0.7 inches | 1.1 pounds

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About the Author
William Shakespeare (April 26, 1564 (baptised) - April 23, 1616) was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the Bard of Avon. His extant works, including collaborations, consist of approximately 38 plays, 154 sonnets, two long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Paul Edmondson is Head of Research and Knowledge for The Shakespeare Birthplace Trust and a priest in The Church of England.
Stanley Wells is Emeritus Professor and Director of the Shakespeare Institute, University of Birmingham. He is General Editor of the Oxford Shakespeare, editor of The Cambridge Companion to Shakespeare Studies (1986), coeditor, with Margreta de Grazia, of The Cambridge Companion to Shakespeare (2001), co-author of William Shakespeare: A Textual Companion (1987) and author of Shakespeare: A Dramatic Life (1995).
'All the Sonnets of Shakespeare presents a wealth of valuable material and compelling interpretations in a clear, comprehensible, and convincing style that will hold appeal not only for Shakespeare scholars and students, but for all devotees of 'the supreme poet-dramatist' and his work.' Deb Miller, DC Metro Theater Arts
'What Edmondson and Wells have done is both groundbreaking and profoundly significant ... whether dipping in for a brief encounter or wanting to fully immerse oneself in the entire Sonnet canon, with scholarly explication and guidance, All the Sonnets of Shakespeare is a one volume tour de force. 400 years after his death, Edmondson and Wells have breathed new life into our engagement with his poetic output and a revised understanding of the man, his motives and his responses to creative muses ... I strongly recommend grabbing a copy of their book and rediscovering the Sonnets for yourself! The casual reader will be both enlightened and entertained and the scholar will be academically stimulated.' Paul Spalding-Mulcock, Yorkshire Times
'A valuable project, and one which achieves what Shakespeare editions so often promise but so rarely deliver: which is to prompt a genuinely new way of looking at these familiar works.' Daniel Swift, The Spectator
'What a fresh and lovely idea! I've been speaking the sonnets for most of my life. They are such wonderful training for an actor, and the notes and paraphrases in this book are just what we all need to guide us through them.' Judi Dench
'This new arrangement of Shakespeare's sonnets is a revelation. Paul Edmondson, and Stanley Wells have truly illuminated the author's themes, preoccupations and obsessions. In so doing the poems have a fresh, and startlingly clear narrative progression. Thanks to their scholarship I found myself experiencing this work as never before. There is a directness, simplicity, and humanity, which shines from the page. It was an honour to read them in this form. I hope a large audience will enjoy seeing (and hearing), this new light shone on a great literary treasure.' Kenneth Branagh
'Paul Edmondson and Stanley Wells have done something daring, controversial, and richly illuminating. To the 154 poems collected in the celebrated volume of Shakespeare's Sonnets they have conjoined the sonnets that appear in the plays - such as the famous lines shared by Romeo and Juliet. To these they have added a number of passages from the plays that are in effect close relations to the conventional sonnet form. The result is to break down the walls and set Shakespeare's famous sequence in a much expanded field of poetic making. But that is not all: jettisoning the order in which the sonnets first appeared in print, Edmondson and Wells arrange them in what they take to be their chronological order of composition. The result is something radical and unsettling. To make these deeply familiar poems seem unexpected and new is a significant achievement.' Stephen Greenblatt, Author of Tyrant: Shakespeare on Politics and The Rise and Fall of Adam and Eve
'A marvellously refreshing new look at Shakespeare's devotion to the sonnet form, expanding our understanding of the published sonnets by adding those he included in the plays. The single sentence description of each sonnet is also immensely useful and helpful to even the most seasoned reader.' Gregory Doran, Royal Shakespeare Company, Artistic Director
'This is a book of clarity and love which shadows the mind in time of Shakespeare the poet and in so doing brings us closer than ever before to his own awareness of the reach of his genius.' Carol Ann Duffy
'... a model of editing, which scraps the conventional sentimentalities and lets us read the Sonnets as poems - explorations into worlds of possible feeling, speech and thought, rather than coded memoirs.' Rowan Williams, New Statesman, Books of the Year 2020
'In putting Shakespeare's dramatic sonnets alongside the 1609 group, this edition exhibits the breadth with which he handles the form.' Molly Clark, Times Literary Supplement
'This book is a gift to scholars and students ... This study will prove valuable to all who specialize in Shakespearean topics.' M. H. Kealy, Choice
'Exploring the sonnets hidden in some of Shakespeare's most revered plays gives a new flavour and dynamic to those characters. It draws our attention to the author's intention in each play, where he makes a character unexpectedly speak in poetry. It illuminates that moment and poses new questions. The detailed and extremely in-depth introduction strongly supports the original works and allows us to examine all of Shakespeare's sonnets in a new, exciting and precise way. I learned a lot from reading this. I hope you do too.' Lolita Chakrabarti
'... this is a volume into which one can dip suggestively, creatively and repeatedly to find things new. It is, frankly, the most exciting reconception of the Sonnets since John Benson's Poems in 1640, and the same motive of making them 'serene, clear and elegantly plain' serves to intensify their drama, their diversity and their brilliance.' Jane Kingsley-Smith, Shakespeare Survey