After Montaigne bookcover

After Montaigne

Contemporary Essayists Cover the Essays

Patrick Madden 

(Editor)

David Lazar 

(Editor)

Bret Lott 

(Contribution by)

et al.

Robert Atwan 

(Contribution by)

Elena Passarello 

(Contribution by)

Chris Arthur 

(Contribution by)

Lia Purpura 

(Contribution by)

Robin Hemley 

(Contribution by)

Judith Ortiz Cofer 

(Contribution by)

Phillip Lopate 

(Contribution by)

E J Levy 

(Contribution by)

Mary Cappello 

(Contribution by)

Danielle Cadena Deulen 

(Contribution by)

Amy Scott 

(Contribution by)

Marcia Aldrich 

(Contribution by)

Barrie Jean Borich 

(Contribution by)

Jerald Walker 

(Contribution by)

Desirae Matherly 

(Contribution by)

Vivian Gornick 

(Contribution by)

Lisa Ferreira 

(Contribution by)

Maggie Nelson 

(Contribution by)

Shannon Lakanen 

(Contribution by)

Nicole Walker 

(Contribution by)

Lina M Ferreira 

(Contribution by)

Steven Church 

(Contribution by)

Jose Orduna 

(Contribution by)

Jerald Walker 

(Contribution by)

Wayne Koestenbaum 

(Contribution by)

Kristen Radtke 

(Contribution by)

Brian Doyle 

(Contribution by)

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Description

Writers of the modern essay can trace their chosen genre all the way back to Michel de Montaigne (1533-92). But save for the recent notable best seller How to Live: A Life of Montaigne by Sarah Bakewell, Montaigne is largely ignored. After Montaigne--a collection of twenty-four new personal essays intended as tribute--aims to correct this collective lapse of memory and introduce modern readers and writers to their stylistic forebear.

Though it's been over four hundred years since he began writing his essays, Montaigne's writing is still fresh, and his use of the form as a means of self-exploration in the world around him reads as innovative--even by modern standards. He is, simply put, the writer to whom all essayists are indebted. Each contributor has chosen one of Montaigne's 107 essays and has written his/her own essay of the same title and on the same theme, using a quote from Montaigne's essay as an epigraph. The overall effect is akin to a covers album, with each writer offering his or her own interpretation and stylistic verve to Montaigne's themes in ways that both reinforce and challenge the French writer's prose, ideas, and forms. Featuring a who's who of contemporary essayists, After Montaigne offers astartling engagement with Montaigne and the essay form while also pointing the way to the genre's potential new directions.

Product Details

PublisherUniversity of Georgia Press
Publish DateFebruary 15, 2017
Pages272
LanguageEnglish
TypeBook iconPaperback / softback
EAN/UPC9780820351377
Dimensions9.0 X 6.0 X 0.7 inches | 0.7 pounds
BISAC Categories: Literary Fiction, Education

About the Author

DAVID LAZAR is a professor in the Nonfiction Program at Columbia College Chicago and the editor of the journal Hotel Amerika. His books include Occasional Desire, The Body of Brooklyn, and Truth in Nonfiction.
PATRICK MADDEN is an associate professor of English at Brigham Young University and author of Quotidiana and Sublime Physick. His work has appeared in the Iowa Review, Portland Magazine, Fourth Genre, and the Best Creative Nonfiction and Best American Spiritual Writing anthologies.
BRIAN DOYLE (1956-2017) was the editor of Portland Magazine at the University of Portland and the author of twenty books of essays, fiction, poems, and nonfiction, including Chicago, Martin Marten, The Plover, Children and Other Wild Animals, Mink River, and The Wet Engine. His other writings have appeared in Best American Essays, Best Spiritual Writing, the New York Times, Harper's, the American Scholar, and the Atlantic.
MARCIA ALDRICH is a professor of English at Michigan State University. She is the author of Girl Rearing: Memoir of a Girlhood Gone Astray and Companion to an Untold Story (Georgia), winner of the Association of Writers & Writing Programs Award for Creative Nonfiction. She is the former editor of the journal Fourth Genre: Explorations in Nonfiction.
DANIELLE CADENA DEULEN is a poet and essayist. She is the author of a memoir, The Riots (winner of the AWP Award for Creative Nonfiction); two poetry collections, Lovely Asunder (winner of the Miller Williams Poetry Prize) and Our Emotions Get Carried Away Beyond Us (winner of the Barrow Street Book Prize); as well as a poetry chapbook, American Libretto (winner of the Sow's Ear Chapbook Contest). She is an associate professor at Willamette University and hosts the literary podcast and radio show "Lit from the Basement" at LitFromTheBasement.com. Her author's website is danielledeulen.net.
LIA PURPURA is the author of seven collections of essays, poems, and translations. Her essay collection On Looking was a finalist for the National Book Critics Circle Award. Her other honors include Guggenheim, NEA, and Fulbright Fellowships, three Pushcart Prizes, and inclusion in the Best American Essays anthology series. Purpura is a writer in residence at the University of Maryland, Baltimore County, and also teaches in the Rainier Writing Workshop MFA Program.
JUDITH ORTIZ COFER (1952-2016) was the Regents' and Franklin Professor of English and Creative Writing Emerita at the University of Georgia. She is also the author of The Latin Deli: Telling the Lives of Barrio Women, An Island Like You: Stories of the Barrio, Woman in Front of the Sun: On Becoming a Writer; and many other books. The University of Georgia Press published her first novel, The Line of the Sun, in 1989.
ROBIN HEMLEY is a professor of English at the University of Iowa and director of the Nonfiction Writing Program. He is author or editor of eight books including Do-Over! and Turning Life into Fiction and is editor of the magazine Defunct.

Reviews

A fascinating collection of essays that carries forward the omnidirectional momentum of the master. After Montaigne gives us grand examples of the essay as it lives today.--Ian Frazier "author of Great Plains"
Imagine the dinner party: not just Montaigne but many Montaignes, resurrected in these brilliant essays by twenty-eight of today's most inventive writers. The table is crowded, enlivened by the paradoxical warmth of Montaigne's detachment and by the parry and thrust of ideas, often tantamount to a kind of quiet eros. It's a dinner full of random appetites, the kind of party we leave knowing ourselves a little less, which might mean a little better. What a feast this collection is. It satisfies a hunger--intellect meeting empathy--that enlarges us.--Barbara Hurd "author of Listening to the Savage: River Notes and Half-Heard Melodies"
The collection is accessible and invites readers to dip in anywhere, to read all or only a few. Reading these 'covers' alongside Montaigne's originals would make an engaging activity for aspiring essayists or composition students.--P. J. Kurtz "Choice"
Though Montaigne wrote more than 400 years ago, he feels ageless to these writers, who celebrate his 'drily mellifluous voice, ' discursive style, and relentless curiosity. With flair, wit, and imagination, these writers embrace and often challenge their mentor, with results that will inspire readers to also seek out the originals.-- "Publishers Weekly"

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