A Death in Summer
One of The Chicago Tribune's Best Reads of 2011.
One of Dublin's most powerful men meets a violent end--and an acknowledged master of crime fiction delivers his most gripping novel yet.
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Benjamin Black is the pen name of the novelist John Banville. As Black, he is the author of the bestselling and critically acclaimed Quirke novels, including Christine Falls, The Silver Swan, and Elegy for April, and his standalone novel, The Lemur. Christine Falls was nominated for both the Edgar Award and Macavity Award for Best Novel. Writing as John Banville, his novel The Sea is the winner of the 2005 Man Booker Prize. Black was born in Wexford, Ireland, and lives in Dublin.
"[Benjamin Black's] books about the dour Irish pathologist named Quirke have effortless flair, with their period-piece cinematic ambience and their sultry romance. The Black books are much more like Alan Furst's elegant, doom-infused World War II spy books than like standard crime tales." --Janet Maslin, The New York Times
"Black's drab Dublin streets are full of perplexing figures, archetypes, as if the characters were stalking through some Jungian map of the unconscious: weakened, dying fathers, good mothers, bad mothers, twins, 'dark doubles, ' ghosts surging up from the past... His narratives are loaded with poetic devices." --The New Yorker "Black has improved with every book, and the latest, A Death in Summer, is his best yet... [Black] knows how to create a first-rate sleuth--the ungainly, middle-aged Dublin pathologist Quirke, a man who can never seem to keep his nose out of trouble." --Malcolm Jones, The Daily Beast "The author of the Booker Prize-winning The Sea, Banville is a literary artist, whereas Black is a craftsman who churns out page-turning crime tales... Banville's latest Benjamin Black novel is another complex character study disguised as a plot-driven work of genre fiction." --The Kansas City Star "[A Death in Summer] is an elegant novel, well-paced with dramatic twists, disturbing surprises and richly drawn characters whose actions and motives have a tangible psychological depth. Mr. Black/Banville is well in form here... It can be either plunged into without any need to reference the previous three or else taken as a welcome new installment of a sequential quartet by one of Ireland's leading contemporary novelists." --New York Journal of Books
