Tyrant: Shakespeare on Politics
Examining the psyche--and psychoses--of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare's work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.
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Greenblatt is especially fine on the mechanisms of tyranny, its ecology, so to speak, leaving one deeply moved all over again by Shakespeare's profound and direct understanding of what it is to be human--which includes, alas, being a tyrant.--Simon Callow
Rarely have these blood-soaked creatures seemed so recognizably human and so contemporary.--John Lithgow
Greenblatt shows us not only that Shakespeare's writings can serve as a brilliant guide to the mess of our current politics but also that he--Greenblatt, that is--is perfectly well able to give us an account of them.
Shakespeare lived five centuries ago, yet Greenblatt's book has the feel of a series of urgent and very contemporary dispatches.
Mr. Greenblatt breaks with the traditional assumption that Shakespeare must have been an uncritical admirer of monarchy. The Shakespeare that this book reveals is not only able to tell a bad king from a good but willing to raise serious doubts about monarchy as a regime.
An engaging study of some of the most eloquent despots on stage.
Shakespeare's fascination with the tyrannical impulse, in domestic as well as political settings, is undeniable and is acutely observed by Greenblatt. The overlap between the private and public spheres is always catastrophic, as is the tyrant's blind, psychotic fury at resistance when pure obedience is expected, an emotion the plays release and explore compulsively.