To Describe a Life: Notes from the Intersection of Art and Race Terror
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About the Author
"In deft, ruminative essays on three visual icons, Darby English unfreezes our thinking about race and reclaims the possibility of imagining a world defined by rich entanglement, not separation. With the violent police shootings of African Americans as backdrop, this book painstakingly works its way to hope nonetheless, in the company of art that secures freedom by asserting the necessary permanence of human connection."--Danielle Allen, author of Cuz: The Life and Times of Michael A.
"What might a politics of both/and, a politics of you and me both, a politics that goes forward together, our differences included, really look like? How might it rise up from the pat generalities of hate? How might works of art do their part? These are the questions that shadow Darby English's new book. He poses them well, in their own real time, so that we might look at them long and hard. Maybe grow to love them."--Molly Nesbit, Vassar College
"Darby English's voice is so urgent, rigorous, and original that it all but comes alive on the page. To Describe a Life challenges us to look--and then look again--at contemporary art, race terror, and the supercharged spaces in which they intersect."--Richard Meyer, author of What Was Contemporary Art?
"Darby English's generative readings urge us to rethink and unsettle what we might know or feel about form, history, the present. To Describe A Life proposes that art may guide a way forward."--Christina Sharpe, author of In the Wake: On Blackness and Being
"These pages speak with urgency, but more than this, they offer searching, generous meditations on urgency's forms. Rarely is writing on art so insistently and creatively responsive to its moment. This is the writing that the art of our time deserves."--Matthew Jesse Jackson, author of The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes