The Widow Nash

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Product Details

Price
$16.95
Publisher
Counterpoint LLC
Publish Date
Pages
384
Dimensions
5.5 X 8.2 X 1.4 inches | 0.85 pounds
Language
English
Type
Paperback
EAN/UPC
9781640090361

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About the Author

Jamie Harrison, who has lived in Montana with her family for more than thirty years, has worked as a caterer, a gardener, and an editor, and is the author of The Center of Everything, The Widow Nash, and the four Jules Clement/Blue Deer mysteries: The Edge of the Crazies, Going Local, An Unfortunate Prairie Occurrence, and Blue Deer Thaw. She was awarded the Mountains & Plains Independent Booksellers Association Reading the West Book Award for The Widow Nash, and was a finalist for the High Plains Book Award.

Reviews

Winner of the 2017 Reading the West Award
A New York Times Book Review Editors' Choice

This novel from the daughter of Jim Harrison features a character set loose to wander the American West at the turn of the 20th century, a woman whose early experiences seem drawn from the worldly peregrinations of the era of Henry James. Sweeping and richly hued . . . Harrison has rendered her imagined world anachronistically, but Henry James might still have approved." --The New York Times Book Review

"What keeps you reading is not just the quality of the writing, which is just absolutely wonderful, but also to find out: Is [Dulcy] going to [remake herself]? Can this be successful? Or is she going to be found out?" --Nancy Pearl, Morning Edition, NPR

"This gorgeously written historical novel follows Dulcy, a young woman in 1904 who attempts to flee her late father's business problems--and her violent ex-fiance's grasp--by traveling west and posing as a wealthy widow." --Entertainment Weekly

"Jamie Harrison . . . shares a number of traits with her father [Jim Harrison]--superior storytelling skills, love of landscape, wry humor, and a knack for gorgeous writing about food. The Widow Nash reverberates with a daughter's affection for a larger-than-life father, surely a tribute of sorts to a real-life relationship." --Newsday

"A languid yet intriguing read . . . Harrison has debunked the idea that women in the early 1900s had no control over their lives and only looked to men for direction and happiness. There is a love story but it is not standard, and Dulcy certainly isn't dependent upon a man to rescue her. All of the characters have the kind of quirks that feel natural to the reader. No one character is perfect, and Harrison shines at creating a cast of friends and associates that I would happily spend an evening drinking and chatting with . . . Harrison is artful in her writing and most of the events influence the plot in important ways . . . The Widow Nash delivers an excellent story. Harrison has crafted an atmospheric historical novel with original characters for readers to enjoy. Her writing is sophisticated and quick witted, ideal for a pleasurable summer read." --The Missoulian

"Richly descriptive, The Widow Nash is the luminous story of a woman suspended between two worlds, one promising, the other catastrophic." --BookPage

"Harrison . . . writes atmospheric historical fiction featuring both drama and bizarrely entertaining humor. There are Whartonesque touches in the demarcations of society . . . A subtler comedy of errors among a quirky cast of characters." --Booklist

"Debut novelist Harrison paints a lovely and memorable portrait of a desperate woman's flight to a new life . . . Harrison's lead is a strong and clever woman who is easy to admire, while the rest of the heroes, villains, and ambiguous sorts are as vividly drawn as the raw and terrible scenery of Montana. Readers will treasure Harrison's rich characterization and sharp turns of phrase." --Publishers Weekly (starred and boxed review)

"When Walton dies before anyone can figure out what's happened to Victor's money, Dulcy decides that her only option is to disappear. Thus, Dulcy Remfrey turns herself into the young widow Mrs. Nash. This baroque setup is nicely balanced by Harrison's prose; the narrative voice here is restrained, with just a hint of quiet irony. And there's the fact that, as fantastical as the scenario might seem, Walton Remfrey is an entirely believable Gilded Age figure . . . Thoughtful, richly written historical fiction" --Kirkus Reviews

"With The Widow Nash, Jamie Harrison breathes fresh life into a fascinating period of American history. Indeed, the past has not passed. An adventurous, ambitious, inventive novel by a writer to relish." --Colum McCann, winner of the National Book Award for Let The Great World Spin

"This deliciously ambitious novel delivers one memorable character after another. None is more magnetic than the 'Widow Nash' herself, a fabulous heroine and irresistible travel companion. Jamie Harrison is a clever, gifted writer, and this shining book is flat-out terrific." --Carl Hiaasen, New York Times bestselling author of Razor Girl

"With Technicolor, vibrant prose, Jamie Harrison's novel The Widow Nash re-invents the Western from a feminist perspective; from the first page, the fierce Dulcy brings the reader into her unforgettable world. A novel as wildly original and memorable as the West itself." --Karen E. Bender, author of Refund, a Finalist for the National Book Award