March 08, 2016
6.1 X 1.7 X 9.1 inches | 1.8 pounds
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About the Author
Elia Kazan was born in 1909 in Istanbul, graduated from Williams College, and attended the Yale School of Drama before joining the Group Theatre. He was the founder of the Actors Studio, and won three Tony Awards (All My Sons, Death of a Salesman, J.B.) and two Academy Awards (Gentleman's Agreement, On the Waterfront) for direction, as well as an honorary Oscar in 1999 for lifetime achievement. He wrote seven novels and an autobiography. He died in 2003. Albert J. Devlin, professor emeritus of English at the University of Missouri, has written and edited books on Eudora Welty and Tennessee Williams. He received a senior fellowship from the National Endowment for the Humanities for work on The Selected Letters of Tennessee Williams, which the Modern Language Association recognized as a model edition of letters and on which it bestowed the Morton N. Cohen Award in 2001. Marlene J. Devlin graduated from the University of Kansas. She taught at the University of Missouri and Columbia Public Schools.
"Fascinating. . . . Vibrant. . . . Essential. . . . A valuable contribution to theater history." --The New York Times"Kazan's unstoppable drive and restless energy . . . spring from almost every page of this meaty volume. . . . His complicated personality bristles forth, like a constant chorus of firecrackers." --The New York Times Book Review "Vivid, pungent and forceful, Elia Kazan's letters immerse us in the life of a working director. . . . An honest look at a complicated artist." --The Washington Post "The candid Kazan voice is at full throttle. . . There are blow-by-blow accounts of Kazan's creative path on most of his major film and stage projects. . . . No less fascinating are exchanges about some of his more instructive failures." --The New York Review of Books "The letters chart his tireless activity, his remarkable combination of combativeness and self-deprecation, charm and (where possible) loyalty . . .Above all we get a sense of the cost to himself and others of [his] extraordinary achievements . . . the struggles and the vision, sustained across decades, that brought them to fruition." --London Telegraph "Insightful, dynamic, and culturally important, Kazan . . . was that rarity--an articulate first-class mind, engaged and in action. These 300 letters are a marvelous pool to illuminate Kazan's backstage processes, both personal and creative." --Choice "Engrossing . . . An impressive work of scholarship, this collection offers a sweeping look at sixty years of American popular culture and an intimate portrait of one complex man whirling at its center." --Kirkus Reviews "These vibrant, muscular, outspoken, take-no-prisoners letters tell you everything you will ever need to know about the theater, relationships between artists, Hollywood illusions, affairs of the heart, family. Kazan had an amazing life and a brilliant career, and he wrote with eloquence, passion, and truth. These letters are to be treasured." --André Bishop, Producing Artistic Director, Lincoln Center Theater "Elia Kazan's letters crackle with the impulsive exuberance of a vital, brilliant, ambitious man wholly devoted to craft. And they tell the not-to-be-missed story of American politics and American art, deeply entwined, during the fatally conflicted era that is our inheritance." --Brenda Wineapple, author of White Heat "Compulsively readable . . . Few entertainment figures had the particular combination of passion, feistiness, diligence, and longevity that made Kazan such a prodigious letter writer. The Selected Letters is a history of the golden age of Broadway and Hollywood as seen through the eyes of a man who irrevocably transformed both industries." --Julian Sancton, Departures "Elia Kazan lived, directed, and wrote from his gut. He was a powerhouse. His scrupulously edited Selected Letters carries the same unflinching, instinctive, brilliant wallop: vividly alive, self-aware, fervent, resourceful. . . . They are incandescent witness to the century he so fiercely bustled in." --John Lahr