The Pinecone: The Story of Sarah Losh, Forgotten Romantic Heroine--Antiquarian, Architect, and Visionary

Jenny Uglow (Author)
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Product Details

Price
$28.00
Publisher
Farrar Straus Giroux
Publish Date
January 15, 2013
Pages
332
Dimensions
6.41 X 9.37 X 1.11 inches | 1.29 pounds
Language
English
Type
Hardcover
EAN/UPC
9780374232870

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About the Author

Jenny Uglow's books include prizewinning biographies of Elizabeth Gaskell and William Hogarth. The Lunar Men, published in 2002, was described by Richard Holmes as an extraordinarily gripping account, while Nature's Engraver won the National Arts Writers Award for 2007. A Gambling Man was short-listed for the 2010 Samuel Johnson Prize for Non-Fiction. Uglow grew up in Cumbria and now lives in Canterbury, England.

Reviews

Praise for "The Lunar Men" "An absolute wonder of a book, huge in its span and close in its detail, nothing less than a snapshot of what and who was best about Britain and its intellectual life in the middle of the eighteenth century." --"The Economist"

"[An] entrancing book . . . Always impeccable in her choice of the vivid anecdote and the memorable image with which to conjure life into the northern hillscape that she evidently loves so well, Uglow has produced a quiet masterpiece: a book to savour and treasure." --Miranda Seymour, "The Sunday Times "(London)
"In its intimate tone, its lavishly detailed depictions of Losh's creations, and its seamless interweaving of the local and immediate with the global and the timeless, ["The Pinecone"] is an exuberant match for the beautiful, ornate and movingly personal nature of Losh's extraordinary church." --Rachel Hewitt, "The Guardian
""Uglow pieces together an absorbing portrait . . . Like her subject, Uglow triumphs with quiet urgency." --Laura Battle, "Financial Times
""[An] engaging historical study . . . With her precise sense of history's intellectual and political movements, Uglow is good at explaining [the] artistic background . . . [and] illuminating subjects as diverse as the use of alkalis in industry . . . and Italian politics in the wake of the Napoleonic wars . . . Uglow's telling of [Losh's story] is clearly focused, wonderfully stimulating and surprisingly colourful." --Andrew Lycet, "The Telegraph
""[In "The Pinecone"] Jenny Uglow not only proves the importance of Sarah Losh but shows what biography at its very best can do." --Frances Wilson, "Literary Review
""A riveting story, and Jenny Uglow makes the most of it, exploring the intellectual and social background to Losh's unusual masterpiece . . . She fully explains the impetus for one of the most startling small masterpieces of nineteenth-century architecture in Britain, as well as bringing to life the admirable Miss Losh of Wreay." --John Martin Robinson, "The Spectator
""Uglow's "Pinecone," like Losh's, spins ever outwards, but is at its most beautiful in its return to small perfections, a tiny church and a little life that tells, nonetheless, an epic s

"[Uglow] quickly revealed herself to be one of the most resourceful and innovative writers in the genre . . . as in the best biographies, the question becomes not what the subject will do, but how and why she will do it." --Megan Marshall, "The New York Times Book Review"
"This mesmerizing account reveals the uniqueness of Losh's achievement while retaining its mystery." --"The New Yorker"
"[An] entrancing book . . . Always impeccable in her choice of the vivid anecdote and the memorable image with which to conjure life into the northern hillscape that she evidently loves so well, Uglow has produced a quiet masterpiece: a book to savour and treasure." --Miranda Seymour, "The Sunday Times "(London)
"In its intimate tone, its lavishly detailed depictions of Losh's creations, and its seamless interweaving of the local and immediate with the global and the timeless, ["The Pinecone"] is an exuberant match for the beautiful, ornate and movingly personal nature of Losh's extraordinary church." --Rachel Hewitt, "The Guardian
""Uglow pieces together an absorbing portrait . . . Like her subject, Uglow triumphs with quiet urgency." --Laura Battle, "Financial Times
""[An] engaging historical study . . . With her precise sense of history's intellectual and political movements, Uglow is good at explaining [the] artistic background . . . [and] illuminating subjects as diverse as the use of alkalis in industry . . . and Italian politics in the wake of the Napoleonic wars . . . Uglow's telling of [Losh's story] is clearly focused, wonderfully stimulating and surprisingly colourful." --Andrew Lycet, "The Telegraph
""[In "The Pinecone"] Jenny Uglow not only proves the importance of Sarah Losh but shows what biography at its very best can do." --Frances Wilson, "Literary Review
""A riveting story, and Jenny Uglow makes the most of it, exploring the intellectual and social background to Losh's unusual masterpiece . . . She fully explains the impetus for one of the most startling small masterpieces of nineteenth-century architecture in Britain, as well as bringing to life the admirable Miss Losh of Wreay." --John Martin Robinson, "The Spectator
""Uglow's "Pinecone," like Losh's, spins ever outwards, but is at its most beautiful in its return to small perfections, a tiny church and a little life that tells, nonetheless, an epic story." --Ian Kely, "The Times "(London), Book of the Week

[Uglow] quickly revealed herself to be one of the most resourceful and innovative writers in the genre . . . as in the best biographies, the question becomes not what the subject will do, but how and why she will do it. "Megan Marshall, The New York Times Book Review"

This mesmerizing account reveals the uniqueness of Losh's achievement while retaining its mystery. "The New Yorker"

[An] entrancing book . . . Always impeccable in her choice of the vivid anecdote and the memorable image with which to conjure life into the northern hillscape that she evidently loves so well, Uglow has produced a quiet masterpiece: a book to savour and treasure. "Miranda Seymour, The Sunday Times (London)"

In its intimate tone, its lavishly detailed depictions of Losh's creations, and its seamless interweaving of the local and immediate with the global and the timeless, ["The Pinecone"] is an exuberant match for the beautiful, ornate and movingly personal nature of Losh's extraordinary church. "Rachel Hewitt, The Guardian"

Uglow pieces together an absorbing portrait . . . Like her subject, Uglow triumphs with quiet urgency. "Laura Battle, Financial Times"

[An] engaging historical study . . . With her precise sense of history's intellectual and political movements, Uglow is good at explaining [the] artistic background . . . [and] illuminating subjects as diverse as the use of alkalis in industry . . . and Italian politics in the wake of the Napoleonic wars . . . Uglow's telling of [Losh's story] is clearly focused, wonderfully stimulating and surprisingly colourful. "Andrew Lycet, The Telegraph"

[In "The Pinecone"] Jenny Uglow not only proves the importance of Sarah Losh but shows what biography at its very best can do. "Frances Wilson, Literary Review"

A riveting story, and Jenny Uglow makes the most of it, exploring the intellectual and social background to Losh's unusual masterpiece . . . She fully explains the impetus for one of the most startling small masterpieces of nineteenth-century architecture in Britain, as well as bringing to life the admirable Miss Losh of Wreay. "John Martin Robinson, The Spectator"

Uglow's "Pinecone," like Losh's, spins ever outwards, but is at its most beautiful in its return to small perfections, a tiny church and a little life that tells, nonetheless, an epic story. "Ian Kely, The Times (London), Book of the Week""

"[Uglow] quickly revealed herself to be one of the most resourceful and innovative writers in the genre . . . as in the best biographies, the question becomes not what the subject will do, but how and why she will do it." --Megan Marshall, The New York Times Book Review

"This mesmerizing account reveals the uniqueness of Losh's achievement while retaining its mystery." --The New Yorker

"[An] entrancing book . . . Always impeccable in her choice of the vivid anecdote and the memorable image with which to conjure life into the northern hillscape that she evidently loves so well, Uglow has produced a quiet masterpiece: a book to savour and treasure." --Miranda Seymour, The Sunday Times (London)

"In its intimate tone, its lavishly detailed depictions of Losh's creations, and its seamless interweaving of the local and immediate with the global and the timeless, [The Pinecone] is an exuberant match for the beautiful, ornate and movingly personal nature of Losh's extraordinary church." --Rachel Hewitt, The Guardian

"Uglow pieces together an absorbing portrait . . . Like her subject, Uglow triumphs with quiet urgency." --Laura Battle, Financial Times

"[An] engaging historical study . . . With her precise sense of history's intellectual and political movements, Uglow is good at explaining [the] artistic background . . . [and] illuminating subjects as diverse as the use of alkalis in industry . . . and Italian politics in the wake of the Napoleonic wars . . . Uglow's telling of [Losh's story] is clearly focused, wonderfully stimulating and surprisingly colourful." --Andrew Lycet, The Telegraph

"[In The Pinecone] Jenny Uglow not only proves the importance of Sarah Losh but shows what biography at its very best can do." --Frances Wilson, Literary Review

"A riveting story, and Jenny Uglow makes the most of it, exploring the intellectual and social background to Losh's unusual masterpiece . . . She fully explains the impetus for one of the most startling small masterpieces of nineteenth-century architecture in Britain, as well as bringing to life the admirable Miss Losh of Wreay." --John Martin Robinson, The Spectator

"Uglow's Pinecone, like Losh's, spins ever outwards, but is at its most beautiful in its return to small perfections, a tiny church and a little life that tells, nonetheless, an epic story." --Ian Kely, The Times (London), Book of the Week