In The Idiot, the saintly Prince Myshkin returns to Russia from a Swiss sanatorium and finds himself a stranger in a society obsessed with wealth, power, and sexual conquest. He soon becomes entangled in a love triangle with a notorious kept woman, Nastasya, and a beautiful young girl, Aglaya. Extortion and scandal escalate to murder, as Dostoevsky's "positively beautiful man" clashes with the emptiness of a society that cannot accommodate his innocence and moral idealism. The Idiot is both a powerful indictment of that society and a rich and gripping masterpiece.From award-winning translators, a masterful new translation-never before published-of the novel in which Fyodor Dostoevsky set out to portray a truly beautiful soul.
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"One finally gets the musical whole of Dostoevsky's original." -New York Times Book Review "It may well be that Dostoevsky's [world], with all its resourceful energies of life and language, is only now-and through the medium of [this] new translation-beginning to come home to the English-speaking reader." -New York Review of Books Crime and Punishment
"The best [translation] currently available...An especially faithful re-creation...with a coiled-spring kinetic energy... Don't miss it." -Washington Post Book World "This fresh, new translation...provides a more exact, idiomatic, and contemporary rendition of the novel that brings Fyodor Dostoevsky's tale achingly alive...It succeeds beautifully." -San Francisco Chronicle "Reaches as close to Dostoevsky's Russian as is possible in English...The original's force and frightening immediacy is captured...The Pevear and Volokhonsky translation will become the standard version." -Chicago Tribune Demons
"The merit in this edition of Demons resides in the technical virtuosity of the translators...They capture the feverishly intense, personal explosions of activity and emotion that manifest themselves in Russian life." -New York Times Book Review "[Pevear and Volokhonsky] have managed to capture and differentiate the characters' many voices...They come into their own when faced with Dostoevsky's wonderfully quirky use of varied speech patterns...A capital job of restoration." -Los Angeles Times With an Introduction by Richard Pevear