The Fabrication of Louis XIV

Peter Burke (Author)


Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure. In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three-hundred-odd medals struck to commemorate the major events of the reign, sculptures, and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains, and tapestries. Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to "invent" the image of the king and reveals how the supervision of the royal image was entrusted to a commitee, the so-called small academy. This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction. Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication (oral, visual, and textual) and their codes (literary and artistic), and the intended audience and its response. He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents.

Product Details

Yale University Press
Publish Date
March 23, 1994
6.2 X 0.62 X 9.24 inches | 1.1 pounds
BISAC Categories:

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate

About the Author

Roland Recht is curator of the exhibition Le Grand Atelier, Europalia 2007. He is Professor of Art History at the Collège de France and a member of the Institut de France. Catheline Pèrier-d'Ieteren is Professor of the History of Art and Architecture at the Free University of Brussels. Pascal Griener is Professor of art history at the University of Neuchâtel. Peter Burke is Professor of Cultural History at the University of Cambridge. His many books include History and Social Theory and Eyewitnessing: The Uses of Images as Historical Evidence, both from Cornell.