In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie.
An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future Greater America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people's nightmares and dreams. As Comprehensive Illusion - a social media-like entity that hijacks creativity - overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive" and forge ahead on his own.
In slippery, exhilarating, and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream.
"A slight but quick-witted and thoughtful philosophical parable that falls somewhere between Camus and Gaiman's Sandman universe." --Kirkus Reviews
"S. D. Chrostowska's The Eyelid is a brilliant, visionary satire on the digital mindscape of twenty-first-century late capitalism embodied in the new global state of Greater America. Insomnia is in; dreams are seditious; sleep is outlawed. Lulled by false fantasies projected by Artificial Intelligence (CI in the book), video games, and media collaborators, humans drug themselves to stay awake so they can slave through the now standard twenty-hour work days. Witty, oracular, Surreal, trenchant, politically astute, and often hilarious, The Eyelid is a throwback to the classics of the genre, Jonathan Swift's Gulliver's Travels and Samuel Butler's Erewhon. We are turning into a race of sleep-deprived automatons, Chrostowska warns, increasingly unable to mount political opposition or even dream a different future." --Douglas Glover
Praise for Permission (Dalkey Archive Press, July 2013):
"S. D. Chrostowska achieves unexpected buoyancy in spite of the intensity of her material. Permission, certain to be among the most formally adventurous books published this year, will thrill readers of fearless stylists like Blanchot, Barthes, and Anne Carson. In its obsessive intricacy, it evokes even earlier forbears: those wonderfully melancholy European humanists, Thomas Browne and Robert Burton. 'Every Library is a haunted cemetery, ' writes F. Wren, the narrator of Permission. This fine and perplexing novel is itself something between a library and a cemetery, spinning around the hauntings of desire, the confusions of memory, the ambiguities of solitude and, above all, the mystery of writing." -- Teju Cole (endorsement)
"One of the most intellectually bracing, technically fascinating Canadian-authored novels of the year." -- Steven W. Beattie, Quill & Quire (named as one of his top five fiction titles of 2013)
"A complex, elusive, perplexing, and, at times, bold work that alternated between thrilling possibilities and frustrating gestures, but always a work that begged to be deeply pondered and reread." -- Terry Pitts, 3: AM