The Edinburgh Review, Volume 198
Sydney Smith (Author)
DescriptionThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
November 04, 2015
6.14 X 1.25 X 9.21 inches | 2.17 pounds
Earn by promoting books
Earn money by sharing your favorite books through our Affiliate program.Become an affiliate
About the Author
Sydney Smith is a NSCAD University graduate living in Toronto. Well-known for his artwork for local musicians, he is the illustrator of The Dread Crew, Mabel Murple, There Were Monkeys in My Kitchen, and Toes in My Nose. His cover art for Migration Songs won Saltyink.com's "Judge a Book By Its Cover" competition.