The Dark Side of the Screen: Film Noir

Foster Hirsch (Author)
Available

Description

A revised and updated edition of the definitive study of film noir--the most original genre of American cinema--with a new afterword by the author

Since The Dark Side of the Screen first appeared over two decades ago, it has served as the essential take on what has become one of today's most pervasive screen influences and enduringly popular genres. Covering over one hundred outstanding films and offering more than two hundred carefully chosen stills, it is by far the most thorough and entertaining study available of noir themes, visual motifs, character types, actors, and directors. This landmark work covers noir in full, from the iconic performances of Burt Lancaster, Joan Crawford, and Humphrey Bogart to the camera angles, lighting effects, and story lines that characterize the work of directors Fritz Lang, Billy Wilder, and Orson Welles.

With a new afterword about the lasting legacy of noir as well as recently rediscovered films deserving of their own screenings alongside the classics, The Dark Side of the Screen reestablishes itself as both an unsurpassed resource and a captivating must-read for any fan of noir.

Product Details

Price
$24.99
Publisher
Da Capo Press
Publish Date
November 25, 2008
Pages
264
Dimensions
6.9 X 0.9 X 8.9 inches | 1.0 pounds
Language
English
Type
Paperback
EAN/UPC
9780306817724
BISAC Categories:

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate

About the Author

Foster Hirsch, a professor of Film at Brooklyn College, is the author of sixteen books on film and theater, including Detours and Lost Highways: A Map of Neo-Noir; Love, Sex, Death, and the Meaning of Life: The Films of Woody Allen; and Otto Preminger: The Man Who Would Be King. He lives in New York.

Reviews

Martin Jackson, Cineaste
"Wonderfully readable: Hirsch is clear, knowledgeable, and concise....[The Dark Side of the Screen] is a visual as well as literary pleasure."

Philip French, The Observer (London)
"There has been no extended work as good as Foster Hirsch's The Dark Side of the Screen, a well-written, imaginatively illustrated book that sees the brief, true heyday as between Wilder's Double Indemnity (1944) and his Sunset Boulevard (1950), but looks at the prelude and the aftermath, and sets the genre in its larger social and cultural context."

Skyscraper, Spring 2009
"An important examination of what film noir is...The 264-page treatise is not a review source; rather, Hirsch's academic work delves deeply with a scholarly but not dry approach."