An unforgettable and compassionate look at the lives of the residents of Lahore's pleasure district
The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque. The 21st century goes on outside the walls, this ancient quarter, but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: beloved by sultans, their sophisticated art encompassed the best of Mughal culture. The modern day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are, unclean, and Maha's daughters, like her, are born into the business and will not leave it.
Sociologist Louise Brown spent four years in the most intimate study of the family life of one Lahori courtesan. Beautifully understated, it turns a novelist's eye on a true story that beggars the imagination. Maha, at fourteen a classically trained dancer of exquisite grace, had her virginity sold to the Sultan of Dubai; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the Sultan come calling once more.
"Riveting and important. Even readers who don't think they're interested in Pakistani prostitution will find themselves engrossed."--Kirkus Reviews (starred review)
"Chilling and heart-warming . . . Brown has a novelist's appreciation of her surroundings and the human drama that plays out before her."--New York Times
"Brown's sketches depict a startling diversity of existence within the closed world of Heera Mandi . . . a compelling, prurient look behind the monolithic curtain of orthodoxy."--San Francisco Chronicle
"A wide-ranging look at class, gender relations and family life in a place where the ancient constantly bumps up against the modern . . . Fascinating."--Los Angeles Times
"A fascinating ethnography with Bollywood flair, even at its darkest moments."--Washington Post