The [email protected] Reader: History and Culture in the United States
DescriptionThe [email protected] Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of [email protected] in the United States (and throughout the Americas) belies the notion that Blacks and [email protected] are two distinct categories or cultures. [email protected] are uniquely situated to bridge the widening social divide between [email protected] and African Americans; at the same time, their experiences reveal pervasive racism among [email protected] and ethnocentrism among African Americans. Offering insight into [email protected] life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The [email protected] Reader presents a kaleidoscopic view of Black [email protected] in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.
While the selections cover centuries of [email protected] history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how [email protected] relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up [email protected], a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that [email protected] have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring [email protected] in the United States into critical view.
Contributors Afro-Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo "Yoruba" Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera, Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada "Chiqui" Vicioso, Peter H. Wood
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About the Author
Miriam Jiménez Román is a visiting scholar in the Africana Studies Program at New York University and Executive Director of [email protected] forum, a research and resource center focusing on Black [email protected] in the United States.
Juan Flores is Professor in the Department of Social and Cultural Analysis at New York University. His most recent works include The Diaspora Strikes Back: Caribeño Tales of Learning and Turning, From Bomba To Hip-Hop: Puerto Rican Culture and Latino Identity, and the English translation of Edgardo Rodríguez Juliá's book Cortijo's Wake, also published by Duke University Press.
"The [email protected] Reader is a superb collection, one that I cannot wait to use in my own courses. For some time now, scholars have engaged the history and anthropology of Black populations in Latin America, but the scholarship on the [email protected] presence (as configured on this side of the Rio Grande) has been more episodic and, to some extent, under-theorized. The breadth of The [email protected] Reader, as well as its effort to actually define the entire field, makes it a unique scholarly contribution."--Ben Vinson III, co-author of African Slavery in Latin America and the Caribbean
"This exciting collection is a great resource for anyone interested in Ethnic Studies, Cultural Studies, or American Studies." - Jenell Navarro, Women's Studies
"[R]equired reading for all Latinos. . . . This important reader provides critical information from a wide variety of approaches on the evolution and current realities of Black Latinos and Latinas. From poetic to musical to social scientific sources, this is a powerful 360-degree treatment of the subject."--Angelo Falcón "National Institute for Latino Policy Book Notes "
"As a collection of pieces, many of which have been published previously, The [email protected] Reader ultimately serves as a compact archive of materials from various academic disciplines and creative genres that details the Afro-Latina/o experience in the United States. . . . The [email protected] Reader makes accessible to students, scholars, and the general public a virtually ignored set of important contributions, not only to the study of Afro-Latina/os, but to the discourse about race in the United States more generally."--Petra R. Rivera "Transition "
"The collected works in The [email protected] Reader broaden definitions of blackness and latinidad and reveal the multiple ways in which Afro-Latino/as navigate national and cultural histories that have consistently denigrated or dismissed their African heritage and challenge US racial classifications that dismiss their cultural background and linguistic difference. The [email protected] Reader invites us to move beyond a binary understanding of racial identity and to embrace the allegiances that may be forged and, in many instances, have been forged among Afro-Latino/as, Latinos/as, African Americans, and other underrepresented groups in the US."--Sobeira Latorre "Anthurium "