The Aesthetics of Resistance, Volume I

Peter Weiss (Author) Joachim Neugroschel (Translator)

Product Details

$27.95  $25.71
Duke University Press
Publish Date
June 22, 2005
6.04 X 9.3 X 0.96 inches | 1.12 pounds
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About the Author

Peter Weiss (1916-1982) was a German playwright, novelist, filmmaker, and painter. His works include the plays The New Trial, also published by Duke University Press, and Marat/Sade and the novels The Shadow of the Body of the Coachman and The Conversation of the Three Walkers. He received West Germany's most important literary award, the Georg Bรผchner Prize, posthumously in 1982.

Joachim Neugroschel (1938-2011) was the translator of some two hundred books, including works by Franz Kafka, Marcel Proust, and Thomas Mann. He won three PEN translation awards and a French-American Foundation Translation Prize.


"The Aesthetics of Resistance is centrally important to any kind of assessment of twentieth-century German history."--James Rolleston, editor of A Companion to the Works of Franz Kafka
"The Aesthetics of Resistance writes those who have been culturally and historically excluded back into the story of their time and demands--as modernism does--that we learn to read in a new way. . . . The monuments of modernism today rise like Ozymandias' statue in the sand: Ulysses, Proust, Beckett, Pound's Cantos, The Making of Americans, The Waste Land. At last, we have an English translation of a work that stands alongside them."--Robert Buckeye "Review of Contemporary Fiction "
"[O]ne of the most significant works of postwar German literature. . . . The novel feels like an endless soliloquy on a bare stage, but one that takes the audience on the most amazingly imaginative time-and-space journey, with the narrative perspective cutting like a movie director's camera from one intensely rendered visual detail to the next. . . . [E]xhilaratingly strange, compelling, and original. Readers who dare to enter this demanding verbal landscape will not come away empty-handed."--Mark M. Anderson "Bookforum "
"[The Aesthetics of Resistance, ] which [Peter Weiss] began when he was well over fifty, making a pilgrimage over the arid slopes of cultural and contemporary history in the company of pavor nocturnus, the terror of the night, and laden with a monstrous weight of ideological ballast, is a magnum opus which sees itself . . . not only as the expression of an ephemeral wish for redemption, but as an expression of the will to be on the side of the victims at the end of time."--W. G. Sebald, On the Natural History of Destruction