Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture
In Supernatural Entertainments, Simone Natale vividly depicts spiritualism's rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed.
Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences.
Addressing the overlap between spiritualism's explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.
Earn by promoting books
Earn money by sharing your favorite books through our Affiliate program.Become an affiliate
About the Author
Simone Natale is Lecturer in Communication and Media Studies at Loughborough University, UK.
--D. B. Wilmeth, Choice
"This is an ambitious, overdue book, steeped in the period's popular culture, and offering a fresh, insightful perspective on a topic familiar to its scholars."
--Susan Zieger, Media History
"The key achievement of Natale's book is his thorough documentation of the ways the spiritualist movement was, in spite of its framing as a 'scientific religion, ' indistinguishable from other kinds of performance, and a vigorous participant in mechanisms of the growing entertainment industry."
--James P. Stanley, Public Books
"Natale's study offers a helpful corrective to approaches that ignore the entertainment value of spiritualism."
--Pericles Lewis, Los Angeles Review of Books
"An engaging and enlightening history of Spiritualism's growth from a unique perspective."
--Sharon DeBartolo Carmack, PsyPioneer Journal
"Approaching Victorian supernaturalism as popular spectacle, Natale makes a compelling argument that nineteenth-century spiritualism made a significant contribution to what would become the dominant religion of the twentieth century: the entertainment industry. Rather than seeing the spiritualists and their energetic followers as gullible or deluded, Natale explores the more fascinating possibility that medium, circle, and audience helped redefine the possibilities of domestic leisure and public performance."
--Jeffrey Sconce, Northwestern University
"We all know that the supernatural is entertaining. Just turn on your television set or go to the movies. But this entertaining? Supernatural Entertainments is one of the most original books I have read in a long time. Simone Natale's embrace of the history of technology, celebrity studies, material culture, popular culture, photography, and film studies to plumb the immediate historical background of the modern supernatural also makes it astonishingly capacious and interdisciplinary. Get ready for a ride. Or a show."
--Jeffrey J. Kripal, author of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal
"Supernatural Entertainments will undoubtedly inspire new studies of Victorian Spiritualism and occultism to further probe the nature and consequences of otherworldly amusements."
--Christine Ferguson, Victorian Studies
"[This book] is a strong contribution to a burgeoning field of haunted technology and uncanny media history, has fantastic illustrations, and is always highly readable."
--Roger Luckhurst, Magic, Ritual, and Witchcraft
"An important addition to the growing body of rigorous scholarship on international spiritualism. Natale's argument, however, is fairly unexpected, even unique, inasmuch as it convincingly focuses on spiritualism as a form of show business."
--Matthew Solomon, Film Quarterly