Stolen Life

Fred Moten (Author)
Available

Description

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."--Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In Stolen Life--the second volume in his landmark trilogy consent not to be a single being--Fred Moten undertakes an expansive exploration of blackness as it relates to black life and the collective refusal of social death. The essays resist categorization, moving from Moten's opening meditation on Kant, Olaudah Equiano, and the conditions of black thought through discussions of academic freedom, writing and pedagogy, non-neurotypicality, and uncritical notions of freedom. Moten also models black study as a form of social life through an engagement with Fanon, Hartman, and Spillers and plumbs the distinction between blackness and black people in readings of Du Bois and Nahum Chandler. The force and creativity of Moten's criticism resonate throughout, reminding us not only of his importance as a thinker, but of the continued necessity of interrogating blackness as a form of sociality.

Product Details

Price
$27.95
Publisher
Duke University Press
Publish Date
August 10, 2018
Pages
336
Dimensions
6.0 X 0.8 X 8.9 inches | 1.1 pounds
Language
English
Type
Paperback
ISBN/EAN
9780822370581

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About the Author

Fred Moten is Professor of Performance Studies at New York University and the author of Black and Blur and The Universal Machine, both also published by Duke University Press, and In the Break: The Aesthetics of the Black Radical Tradition.

Reviews

"It's this spirit of the collective effort of study and exchange and resonance, the effort to keep the channels open and keep listening, that has made Moten (or, maybe, 'Moten/s') such a celebrated thinker. At the end of sentences like these, you want to say something like Amen."-- (04/01/2018)
"At a time when both theory and criticism are frequently and convincingly attacked as exhausted forms, Moten's trilogy has reinvented both. . . . In its mixture of theoretical complexity and disarming directness, Moten's beautifully written trilogy offers the sheer pleasure of art." -- (09/17/2018)
"My favorite book(s) of 2018 are the three volumes of Fred Moten's consent not to be a single being, individually titled Black and Blur, Stolen Life, and The Universal Machine. In this collection of essays stretching back fifteen years, Moten challenges the reader to imagine a radically interconnected aesthetic and political sphere that stretches from Glenn Gould to Fanon to Kant to Theaster Gates, sometimes in the space of a single sentence. This trilogy is one of the great intellectual adventures of our era."-- (11/01/2018)
"2018 must go down for me as the year of Fred Moten's trilogy: Black and Blur, Stolen Life, and The Universal Machine. You could say they're essays about art, philosophy, blackness, and the refusal of social death, but I think of them more as a fractal universe forever inviting immersion and exploration, a living force now inhabiting my bookshelf."
-- (11/01/2018)