Sticking It Out: From Juilliard to the Orchestra Pit, a Percussionist's Memoir

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Product Details

ECW Press
Publish Date
5.7 X 8.6 X 1.0 inches | 1.0 pounds

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About the Author

Patti Niemi has played percussion in the San Francisco Opera Orchestra since 1992. She graduated from the Eastman School of Music Preparatory Department in 1983 and earned a BM from the Juilliard School in 1987. Niemi was a member of the New World Symphony in Miami from 1988-1992.


"It's an eye-opening tale of demanding teachers, gruelling practice schedules, severe performance anxiety and bias against 'girl drummers'-a funny, poignant first-person account of the fierce commitment it takes to succeed in classical music." -- San Jose Mercury

"One of the funniest-ever classical-music books . . . and certainly among the best written." --Philadelphia Inquirer

"A shattered-mirror insight into the bizarre world of hitting things with sticks." -- Neil Peart, bestselling author, lyricist and drummer for Rush

"By turns reflective and dramatic, poignant and hilarious, Sticking It Out offers an irresistible portrait of the artist as a young percussionist. In deft and swiftly drawn narrative strokes, Patti Niemi charts the formation of a career in music -- the endless hours in the practice room, the stomach-churning anxiety of auditions, the blend of competitiveness and camaraderie that shapes relations among up-and-coming musicians -- and she does it with wit and personality to burn. She's as adept at writing as she is at standing in a corner and banging on things." -- Joshua Kosman, San Francisco Chronicle

"Sharp like a flam, resonant like the end of a roll, Sticking It Out is everything you want a music memoir to be . . . funny, honest, and memorable." -- Kevin Smokler, author of Practical Classics: 50 Reasons to Reread 50 Books You Haven't Touched Since High School

"Patti Niemi's oft-hilarious memoir shatters images of percussionists as fearless aggressors who drive and pound their way through life. Instead, it presents the image of an emerging artist pounded by fear and insecurity. As she tells her tale with disarming candor, Niemi opens the door on the mental and artistic challenges facing all aspiring classical musicians in an era of shrinking avenues for professional practice. After she takes us through the wringer, as it were, she enables us to breathe a huge sigh of relief, if not make a joyful racket, as she lands her gig with the San Francisco Opera Orchestra. Brava!" -- Jason Victor Serinus, journalist, Opera News, San Francisco Classical Voice