Slow Lightning, 106

Available

Product Details

Price
$18.00  $16.56
Publisher
Yale University Press
Publish Date
Pages
96
Dimensions
5.3 X 8.1 X 0.4 inches | 0.3 pounds
Language
English
Type
Paperback
EAN/UPC
9780300178937
BISAC Categories:

Earn by promoting books

Earn money by sharing your favorite books through our Affiliate program.

Become an affiliate

About the Author

Eduardo C. Corral's poems have appeared in Beloit Poetry Journal, New England Review, Ploughshares, and Poetry, as well as other journals and anthologies. He received a Discovery/The Nation award and was selected for residencies at the MacDowell Colony and Yaddo. He lives in southern Arizona.

Carl Phillips is the award-winning author of eleven books of poetry, including Speak Low, which was a National Book Award finalist. He teaches at Washington University in St. Louis. This is his first year as judge of the Yale Series of Younger P

Reviews

"[Corral] seamlessly blends English and Spanish in Slow Lightning."--Craig Morgan Teicher, Publishers Weekly
"He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry. . . . Very engaging."--Ray Olson, Booklist

"A classic in the making."--Rigoberto Gonzรกlez, El Paso Times


"By any standard, Slow Lightning is an impressive debut, a gathering of powerful and often defiant poems that are paradoxically realized through formal control."--Lambda Literary Review


Winner of the 2011 Whiting Writers Award, as given by the Whiting Foundation
Finalist for the 2012 Publishing Triangle Thom Gunn Award for Gay Poetry
Honorable Mention, Poetry category at the 2013 New York Book Festival sponsored by JM Northern Media LLC
"[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American, ' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword