Selected Tales of the Brothers Grimm
May 14, 2013
6.3 X 7.2 X 0.8 inches | 0.01 pounds
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About the Author
Jakob Karl Grimm was born on January 4, 1785, in Hanau, Germany. His brother, Wilhelm Karl Grimm, was born on February 24, 1786. Court librarians, linguists, scholars, translators, and writers, the Brothers Grimm collected stories told by peasants and villagers and published them in written form, forming the foundation of the most beloved fairy tales of our time. Recipient of the 2012 Gold Grand Prize for Best Travel Story of the Year, Peter Wortsman is the author of A Modern Way to Die: Small Stories and Microtales, the plays The Tattooed Man Tells All and Burning Words, the recent memoir Ghost Dance in Berlin: A Rhapsody in Gray, and the forthcoming novel Cold Earth Wanderers. His translations from the German include Robert Musil's Posthumous Papers of a Living Author, Heinrich Heine's Travel Pictures, Peter Altenberg's Telegrams of the Soul, and Tales of the German Imagination: From The Brothers Grimm to Ingeborg Bachmann, an anthology published by Penguin Classics.
The reason that most people value fairy tales, I would say, is that they do not detain us with hope but simply validate what is. Even people who have never known hunger, let alone a murderous stepmother, still have a sense--from dreams, from books, from news broadcasts--of utter blackness, the erasure of safety and comfort and trust. Fairy tales tell us that such knowledge, or fear, is not fantastic but realistic. ... The Grimm tales still invoke nature, more than God, as life's driving force, and nature is not kind. --Joan Acocella, The New Yorker Everyone should possess and know Grimm's Fairy Tales-one of the great books of the world. --Richard Adams, The New York Times Book Review ...this one book-other than the Bible-that has truly made Western man. --P. L. Travers, The New Republic Frankétienne[s work can speak to the most intellectual person in the society as well as the most humble. A very good kind of genius. --Edwidge Danticat Duval-Carrié[s large-scale paintings burst off The wall . . . bustling with pattern, landscape, sparkle, and mythos rooted in Haitian Voodou . . . [They] have The technical polish and scope to make a splash at any contemporary art fair. --Boston Globe