Rock, Paper, Scissors

Naja Marie Aidt (Author) K. E. Semmel (Translator)
Available

Description

"The emotions unleashed in this tale . . . are painfully universal. Yet you know exactly where in the universe you are. This is the hallmark of great short stories, from Chekhov's portraits of discontented Russians to Joyce's struggling Dubliners."--Radhika Jones, Time

Naja Marie Aidt's long-awaited first novel is a breathtaking page-turner and complex portrait of a man whose life slowly devolves into one of violence and jealousy.

Rock, Paper, Scissors opens shortly after the death of Thomas and Jenny's criminal father. While trying to fix a toaster that he left behind, Thomas discovers a secret, setting into motion a series of events leading to the dissolution of his life, and plunging him into a dark, shadowy underworld of violence and betrayal.

A gripping story written with a poet's sensibility and attention to language, Rock, Paper, Scissors showcases all of Aidt's gifts and will greatly expand the readership for one of Denmark's most decorated and beloved writers.

Naja Marie Aidt was born in Greenland and raised in Copenhagen. She is the author of seven collections of poetry and five short story collections, including Baboon (Two Lines Press), which received the Nordic Council's Literature Prize and the Danish Critics Prize for Literature. Rock, Paper, Scissors is her first novel.

K. E. Semmel is a writer and translator whose work has appeared in Ontario Review, the Washington Post, and elsewhere. His translations include books by Karin Fossum, Erik Valeur, Jussi Adler-Olsen, and Simon Fruelund.

Product Details

Price
$16.95  $15.59
Publisher
Open Letter
Publish Date
August 11, 2015
Pages
345
Dimensions
5.4 X 0.8 X 8.4 inches | 0.9 pounds
Language
English
Type
Paperback
EAN/UPC
9781940953168
BISAC Categories:

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About the Author

Naja Marie Aidt was born in Greenland and raised in Copenhagen. She is the author of seven collections of poetry and five short story collections, including Baboon (Two Lines Press), which received the Nordic Council's Literature Prize and the Danish Critics Prize for Literature. Rock, Paper, Scissors is her first novel.

K.E. Semmel is a writer and translator whose work has appeared in Ontario Review, the Washington Post, Aufgabe, The Brooklyn Review, The Bitter Oleander, and elsewhere. His translations include books by Karin Fossum, Erik Valeur, and Simon Fruelund.

Reviews

"Laced with sex, marital problems, family drama, and money woes, Aidt's supremely cultivated novel is concerned with the struggle to connect with those we truly love and the consequences of remaining distant. Aidt writes with verve, passion, and a sharp edge, animating a smart set of characters who must fight for truth and happiness."--Publishers Weekly

"Rock, Paper, Scissors is a story you'll want to keep reading until the bitter (very bitter) end."--Tony Malone, Words Without Borders

"The dynamics Aidt reveals to us, and which drives her linguistic expression (abrupt, breathless sentences mirroring rather than penetrating the consciousness of her characters) consists on the one hand in the sheer manic nature of late-modern existence (surface haste, stressful energy, frenzied consumption), and on the other in an--if I may be so bold--authentic sexual energy full of release potential."--Lilian Munk Rösing, speech in honor of Aidt receiving the Danish Critics' Prize

"A domestic drama that merges the mundane and the grotesque."--Kirkus Reviews

"Aidt tells this story of fear, paranoia, and resentment with such skill that you'll find yourself reading it way faster than your eyes can take in words."--Bookishly Witty

"With Rock, Paper, Scissors, Aidt documents the destructiveness and vitality, but also the vulnerability, of human existence. K.E. Semmel's translation is exact, capturing the poetry and precision of Aidt's sentences. This novel should do much to push Aidt further into the English-language literary scene."--The Quarterly Conversation

"I highly recommend Rock, Paper, Scissors--it is one of the best novels I have read in a long time. Aidt's writing is free of superlatives and affectations; yet it is so vivid that I could picture every scene."--Asymptote