DescriptionWhy is "hero" is a word so often reserved for warriors who fight with guns and weapons to defend their people? Renowed picture book biographer Jonah Winter writes of another kind of hero, a peaceful hero, who is willing to die for a cause, but never to kill for a cause. From the ultimate hero, Jesus of Nazareth, to the ordinary man who saved Rwanda, Paul Rusesabagina, Jonah Winter brings children a series of remarkable stories about the bravest people history has known. The searing text is illustrated with moving portraits from a brand new talent, Sean Addy.
Arthur A. Levine Books
September 01, 2009
8.2 X 0.4 X 10.0 inches | 0.97 pounds
Earn by promoting books
Earn money by sharing your favorite books through our Affiliate program.Become an affiliate
About the Author
Jonah Winter has written many exciting picture book biographies for children, with subjects that include Frida Kahlo, Diego Rivera, Barack Obama, and Dizzy Gillespie. He lives in Pittsburgh, PA.
"The eclectic group of people featured here includes figures from the distant past (Jesus of Nazareth) as well as contemporary people (Burma's Aung San Suu Kyi). Some, like Martin Luther King, Jr. are famous, while others, such as Abdul Ghaffar Khan, are obscure. These diverse individuals are united thematically in that each chose a path in life to help others through nonviolent means, often at great personal risk, and often paying the ultimate price. These are important and inspirational figures, but the book is heavily message-driven, with Winter often oversimplifying or offering opinions as facts. When speaking of Sojourner Truth, he states that she preached "what she knew to be the truth against slavery and the racism that caused slavery to happen." Many other factors also led to the rise of slavery in the U.S. Stating that "most people in other countries think that America has done more harm than good in Iraq" is not backed up by any references to respected reporting agencies. In fact, no sources are supplied for any of the information or thoughts and feelings attributed to these people. The book's design also contributes to the heavy-handed approach, with words such as "sacrifice" and "risk" appearing in an inch-tall font at the top or bottom of the pages. Addy's oil and collage paintings have a burnished look to them, and would have been even more powerful without the distracting lettering. This is a well-intentioned volume, but it fails when it comes to the "show, don't tell" principle of good writing." -- School Library Journal