US/EN
Object Lessons (Revised) (Revised)
Eavan Boland
(Author)
Description
In this important prose work, one of our major poets explores, through autobiography and argument, a woman's life in Ireland together with a poet's work. Eavan Boland beautifully uncovers the powerful drama of how these lives affect one another; how the tradition of womanhood and the historic vocation of the poet act as revealing illuminations of the other. Included are autobiographical pieces about a woman living in Ireland, about a grandmother, a childhood. In the second section, Boland details the part of the life in which the vocation of the poet meets the life of the woman.
Product Details
Price
$21.95
Publisher
W. W. Norton & Company
Publish Date
July 01, 1996
Pages
272
Dimensions
5.4 X 0.7 X 8.2 inches | 0.5 pounds
Language
English
Type
Paperback
EAN/UPC
9780393314373
BISAC Categories:
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About the Author
Eavan Boland (1944--2020) was the author of more than a dozen volumes of poetry, including Outside History and several volumes of nonfiction, and was coeditor of the anthology The Making of Poem. Born in Dublin, Ireland, she was one of the foremost female voices in Irish literature. She received a Lannan Foundation Award and an American Ireland Fund Literary Award, among other honors. She taught at Trinity College Dublin, University College Dublin, Bowdoin College, and Stanford University, where she was the director of the creative writing program.
Reviews
Thoughtfully, Boland recounts the long, uncertain process by which she came to construct (as any poet must) a persona: how she grew out of that well-schooled girl with an unsettled past and a well-received early book, into herself, a wife and mother residing in a Dublin suburb, beginning to write poems of another kind. . . . Eavan Boland has made an honest book and written of intricate matters courteously. She has proposed to her reader a composed, level-headed, yet spirited argument.
In a prose style so lyrical, spare and elegiac it rivals poetry, she draws us into personal memory, autobiographical anecdote and family history. . . . It is not like any other book in memory: inspired, relentless, deliberately and eloquently hand-drawn.
In a prose style so lyrical, spare and elegiac it rivals poetry, she draws us into personal memory, autobiographical anecdote and family history. . . . It is not like any other book in memory: inspired, relentless, deliberately and eloquently hand-drawn.
