Now You're Talking: Human Conversation from the Neanderthals to Artificial Intelligence

Trevor Cox (Author)

Product Details

$26.00  $23.92
Counterpoint LLC
Publish Date
September 18, 2018
6.1 X 1.4 X 9.1 inches | 1.4 pounds
BISAC Categories:

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About the Author

Trevor Cox is a professor of acoustic engineering at the University of Salford, U.K., and a former president of the Institute of Acoustics. He has presented twenty-four science documentaries on BBC Radio and written feature articles for New Scientist, Sound on Sound, and The Guardian. He is the author of The Sound Book, winner of an Acoustical Society of America writing award. He was awarded the Institute of Acoustics' Tyndall Medal and the Institute of Acoustics' Award for Promoting Acoustics to the Public. He currently holds the Guinness World Record for producing the longest echo in one of the Inchindown Oil Tanks.


Praise for Now You're Talking

"The spectrum of sounds humans emit are not only the lifeblood of conversation--they are central to our sense of who we are and where we come from. In his book Now You're Talking, acoustic engineer and BBC radio presenter Trevor Cox zooms in on the basic mechanics of our vocal abilities, broadly surveys the ways our speaking voices define and reflect identity, and asks what it means when this most human quality can be replicated by computers." --Psychology Today

"A lively, intelligent and persuasive history of speech." --Laura Freeman, The Times

"Illuminating . . . Cox knows how to make his subject sing." --Sebastian Shakespeare, Daily Mail

"A lucid look at the science behind human communication . . . The greatest takeaway from the book is the welcome thought that our best moments as human communicators are in ordinary conversations, 'quotidian activity that allows knowledge about how to survive and thrive to be passed between us.' There's lots to ponder in Cox's geekily entertaining exploration of how we acquire our voices and understand those of others." --Kirkus Reviews

"Cox proves an affable guide, and his sharp history will give casual science buffs a lot to talk about." --Publishers Weekly

"Cox carefully examines the physiology of the vocal apparatus and details the latest evolutionary theories of early hominid speech . . . A book giving readers much to talk about." --Booklist

Praise for The Sound Book

"This small encyclopedia of strange sounds reveals how much art there is in the act of listening. Reading it made my ears more mindful." --Adam Gopnik

"Anyone who has ever clapped, hollered, or yodeled at an echo will delight in [Cox's] zestful curiosity." --The New York Times

"Turns up the volume on...sonic oddities." --NPR

"From its first page to its last, The Sound Book invites readers to close their eyes and open their ears to the sounds, both normal and peculiar, that surround us all." --Science News

"[A] mission to make sound tourism the next big thing." --Gemma Tarlach, Discover

"Charming... From its first page to its last, The Sound Book invites readers to close their eyes and open their ears to the sounds, both normal and peculiar, that surround us all." --Sid Perkins, Science News Magazine

"Cox reminds us not only of the sonic marvels we often miss, but also how those sounds affect us." --Publishers Weekly

"An intriguing tour d'horizon of the world of sound." --Kirkus Reviews

"A technological travelogue conducted by an expert tour guide, bursting with aural arcana that adds just the right amount of tech-savvy detail, The Sound Book brings into relief a world often obscured in our image-heavy existence. Even as we follow Cox to the ends of the Earth, what makes his book a real rush is that it's ultimately an ear-buzzing journey to the center of our minds." --Greg Milner, author of Perfecting Sound Forever

"A riveting ear-opener, Trevor Cox describes in lyrical detail a range of sonic events and new ways of listening that can only brighten our experience of the acoustic world around us. A must-read for sound-lovers of all stripes." --Bernie Krause, author of The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places