New York Review of Books
October 13, 2009
5.02 X 7.94 X 0.3 inches | 0.25 pounds
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About the Author
Dominique Vivant Denon (1747-1825), a member of the minor French nobility, was born in Burgundy and sent to Paris to study law--a field he soon abandoned in order to pursue literature and art. After writing a play that enjoyed a small succcess, Denon became a favorite of Louis XV, who in 1769 put him in charge of Madame de Pompadour's gemstone collection. Dispatched on various diplomatic missions to Russia and Sweden, Denon eventually joined the French embassy in Naples, where he spent seven years studying, etching, and collecting antiquities. The 1789 revolution put Denon's life at serious risk, but he was protected by his friendship with the painter David, who employed him as a designer of costumes for revolutionary pageants. Denon allied himself to Napoleon and took part in the Egyptian campaign, making sketches of monuments that were later published in his Travels in Upper and Lower Egypt (1802), a book that helped to inspire the Egyptian Revival in the decorative arts. In 1804 Napoleon made Denon the director-general of museums and the head of the Musée Napoleon, and it was Denon who oversaw the assembly of the extraordinary collection, drawn by the Emperor's armies from all over Europe, that remains central to today's Louvre. Forced into retirement after Napoleon's downfall, Denon turned to assembling an illustrated history of art, left unfinished at the time of his death but published posthumously. Peter Brooks is the author of Henry James Goes to Paris, Realist Vision, Troubling Confessions, Reading for the Plot, The Melodramatic Imagination, and a number of other books, including the historical novel World Elsewhere. He taught for many years at Yale, where he was Sterling Professor of Comparative Literature, and currently is Andrew W. Mellon Scholar at Princeton. Lydia Davis is an American author and translator of French. She is a Professor of Creative Writing at the University at Albany, SUNY.
"Denon's tale portrays the Epicurean aspects of slowness" --The Boston Globe "One of the loveliest pieces of French prose." --Milan Kundera, The Art of the Novel "A tale of adulterous love told with impeccable discretion. Balzac like it so much that he cited it in full in his Physiologie du mariage, warning off husbands while recommending it to bachelors as 'a delicious painting of manners of the last century." --The New Oxford Companion to Literature in French "Captures with concision and panache the spirit of Libertinage so central to eighteenth-century French sociability...No Tomorrow is a tour de force of disabused analysis summarizing all the manipulations, illustions, and self-deceptions which were the essence of eighteenth-century libertinage." --Encyclopedia of Erotic Literature