Ndn Coping Mechanisms: Notes from the Field
In the follow-up to his Griffin Poetry Prize-winning collection, This Wound is a World, Billy-Ray Belcourt writes using the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples' rogue possibility, their utopian drive.
In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.
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About the Author
Billy-Ray Belcourt is from the Driftpile Cree Nation. He is Canada's first First Nations Rhodes Scholar. He is the author of the poetry collections NDN Coping Mechanisms and This Wound Is a World, which was awarded the 2018 Canadian Griffin Poetry Prize, the 2018 Robert Kroetsch City of Edmonton Book Prize, and a 2018 Indigenous Voices Award. In 2018, Belcourt was named by CBC Books as one of "14 Canadian poets to watch," one of "18 emerging writers to watch," a "Writer to know," and one of "ten young Canadians to watch" by the CBC. A History of My Brief Body marks his non-fiction debut.