Mohawk Interruptus: Political Life Across the Borders of Settler States
DescriptionMohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà ke, a reserve community in what is now southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism. The Kahnawà ke Mohawks are part of the Haudenosaunee or Iroquois Confederacy. Like many Iroquois peoples, they insist on the integrity of Haudenosaunee governance and refuse American or Canadian citizenship. Audra Simpson thinks through this politics of refusal, which stands in stark contrast to the politics of cultural recognition. Tracing the implications of refusal, Simpson argues that one sovereign political order can exist nested within a sovereign state, albeit with enormous tension around issues of jurisdiction and legitimacy. Finally, Simpson critiques anthropologists and political scientists, whom, she argues, have too readily accepted the assumption that the colonial project is complete. Belying that notion, Mohawk Interruptus calls for and demonstrates more robust and evenhanded forms of inquiry into indigenous politics in the teeth of settler governance.
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About the Author
Audra Simpson is Assistant Professor of Anthropology at Columbia University. She is a coeditor, with Andrea Smith, of Theorizing Native Studies, also published by Duke University Press.
"In her brilliant study of Kahnawà ke, a Mohawk reserve outside Montréal, anthropologist Simpson rejects this dominant image of indigenous nationhood on the brink and 'starts with a grounded refusal, not a precipice.' The author problematizes long-standing assumptions to position the actions of the Kahnawà ke nation as that of refusal, a valid alternative to political recognition. Through in-depth ethnographic research, Simpson identifies what is important to the community, as evidenced by her discussion of important intellectual Louis Hall, whose analysis of Mohawk nationhood has deeply influenced Haudenosaunee people, yet has been largely ignored by scholars. . . . Such incisive analysis promises that this study will be influential and widely read. . . . Essential. All levels/libraries."--K. L. Ackley "Choice "
"Simpson accomplishes what she set out to do in this text, namely to offer a critical evaluation of settler colonialism as experienced by Kahnawà ke Mohawk. Her book is beautifully written: her prose is elegant, and she interweaves ethnographic research with political history and theory to build her argument. ... Simpson enhances our understanding of how a community of people struggle to understand, and why they must continually fight for, their political independence after centuries of settler colonialism." --Ruth Burgett Jolie "Studies in Ethnicity and Nationalism "
"I expect Mohawk Interruptus will assert its place in the Haudenosaunee canon, which will compel subsequent scholars to take a closer look at how Indigenous communities in general struggle to maintain their political integrity under the pressure of a variety of colonially created borders and the laws that enforce them over the sovereign rights of others."--David Martínez"Wicazo Sa Review" (03/01/2016)
"Mohawk Interruptus deftly interrogates how settler colonialism and anthropological practice in the United States and Canada have circumscribed Iroquoian (Haudenosaunee) identities--and Mohawk identities, in particular--in ways that ignore contested interpretations of indigeneity and serve to erase indigenous nationhood. ... A major takeaway from Simpson's account is that anthropologists, political scientists, historians, and those of us in Native American studies need to theorize and examine how people experience and feel membership, citizenship, and nationhood while not replicating colonial projects of erasure in our scholarly research and writing."-- (11/01/2015)
"[A] tour de force exploration of contemporary Kahnawa: ke political life. . . . In its examination and sustained critique of the settler colonialism and the politics of nationhood, recognition, and refusal, and its vision of more productive and inclusive understandings of Kahnawa: ke citizenship, Mohawk Interruptus joins some of the most provocative and cutting-edge work taking place in Native/indigenous studies today. We would be wise to heed its challenge to develop similarly rigorous and critical studies of indigenous self-determination throughout the hemisphere, in whatever forms they might take."-- (04/01/2015)
"Mohawk Interruptus, was recently voted 'Best First Book Published in 2014' by the Native American and Indigenous Studies Association, and after reading it I can understand why.... The complexities of Indigenous life in Mohawk Interruptus are given neither the security of romanticization nor the comfort of the scholarly pulpit."-- (02/01/2016)
"Rather than merely a book of and for anthropology, then, Mohawk Interruptus calls upon its reader to rethink action and collectivity through a different modality than the current political registers presume. Refusal, both as a political theoretical concept and as a quotidian shared practice, may allow a continued, powerful, and even potentially joyful relationship to state power."-- (12/01/2015)
"[Simpson] offers a highly nuanced and theoretically sophisticated ethnographical study illustrating the kinds of critical research questions insider researchers can ask that lead to new understandings and challenge the orthodoxy. Simpson has made a significant contribution as an insider researcher, an Indigenous studies scholar, an anthropologist, that highlights the exciting new era of Indigenous research we have entered."-- (05/01/2015)
"This marvelous book is a searing exposition of a Kahnawà ke Mohawk subjectivity hardened in opposition to social 'facts' taken for granted by millions in settler societies. . . . Readers will appreciate Simpson's passionately argued and provocative thesis, in-depth and intimate ethnographic descriptions, incisive prose, and iconoclastic engagements with anthropological history and political theory."-- (10/01/2017)