Looking In: Robert Frank's the Americans: Expanded Edition (Expanded)

Sarah Greenough (Editor) Robert Frank (Photographer)
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Description

First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of twentieth-century photography.

Looking In: Robert Frank's "The Americans" celebrates the fiftieth anniversary of this prescient book. Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-56. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This volume is a reprint of the 2009 edition.

Product Details

Price
$90.00  $81.00
Publisher
Steidl
Publish Date
January 01, 2009
Pages
506
Dimensions
9.5 X 2.2 X 11.7 inches | 7.25 pounds
Language
English
Type
Hardcover
EAN/UPC
9783865218063

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About the Author

Sarah Greenough is the chief curator and head of the department of photographs at the National Gallery of Art, Washington, DC.

Reviews

Like the exhibition, the catalog for "Looking in" was distinguished by its rigorous scholarship. Its expanded, special edition, which included the full contents of "The Americans," as well as scholarly essays, facsimiles of contact sheets, photographer notes and correspondences, and other archival materials, functioned much like a massive and comprehensive finding guide, though limited to only one of Mr. Frank's projects.--Maurice Berger "The New York Times - Lens "