Lena Herzog. Strandbeest. the Dream Machines of Theo Jansen
Description
For seven years, photographer and artist Lena Herzog followed the evolution of a new kinetic species. Intricate as insects but with bursts of equine energy, the "Strandbeests," or "beach creatures," are the creation of Dutch artist Theo Jansen, who has been working for nearly two decades to generate these new life-forms that move, and even survive, on their own.
Set to roam the beaches of Holland, the Strandbeests pick up the wind in their gossamer wings and spring, as if by metamorphosis, into action. As if it were blood, not the breeze, running through their delicate forms, they quiver, cavort, and trot against the sun and sea, pausing to change direction if they sense loose sand or water that might destabilize their movement.
Coinciding with a traveling exhibition, Herzog's photographic tribute captures Jansen's menagerie in a meditative black and white, showcasing Jansen's imaginative vision, as well as the compelling intersection of animate and inanimate in his creatures. The result is a work of art in its own right and a mesmerizing encounter not only with a very surrealist brand of marvelous, but also with whole new ideas of existence.
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About the Author
is an award-winning nonfiction author. For over 20 years, Weschler worked as a staff
writer at the New Yorker (1981-2002) exploring topics ranging from art and
culture to politics. His politically centered books include The Passion of Poland
(1984); A Miracle, A Universe: Settling Accounts with Torturers (1990);
and Calamities of Exile: Three Nonfiction Novellas
(1996). His "Passions and Wonders" series includes Seeing is Forgetting the
Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin (1982);
David Hockney's Cameraworks (1984); Mr. Wilson's Cabinet of Wonder (1995);
A Wanderer in the Perfect City: Selected Passion Pieces (1998); Boggs:
A Comedy of Values (1999); Robert Irwin: Getty Garden (2002); Vermeer
in Bosnia (2004); Everything that Rises: A Book of Convergences (2006);
and Uncanny Valley: Adventures in the Narrative (2011). His most recent works
include Wondercabinet: Lawrence Weschler's Fortnightly Compendium of the Miscellaneous
Diverse (2021); And How Are You, Dr. Sacks: A Biographical Memoir of Oliver
Sacks (2019); "A Conversation with Liza Lou" in the Liza Lou
Rizzoli Monograph (2011); True to Life: Twenty Five Years of Conversations
with David Hockney (2009); Deborah Butterfield, a survey of the artist's
work at the LA Louver Gallery (2009); and Tara Donovan, the catalog for the
artist's exhibition at the Institute of Contemporary Art, Boston (2008). He is the
twice recipient of the George Polk Award (in 1988 for Cultural Reporting and in
1992 for Magazine Reporting); recipient of the 1998 Lannan Literary Award, and winner
of the 2006 National Book Critics Circle Award in Criticism.